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Philippe Garrel
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ISBN: 9781784991395 1784991392 Year: 2020 Publisher: Manchester : Manchester University Press,

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Described by Giles Deleuze as 'one of the greatest modern auteurs', Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director's influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel's relationship with other members of the so-called 'post-New Wave', including Jean Eustache and Chantal Akerman. The first book on Garrel's cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies.


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Chaucer and the art of storytelling
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ISBN: 0520059999 Year: 1988 Publisher: Berkeley : University of California Press,

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Ureteroceles
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ISBN: 0128178892 0128178884 9780128178898 9780128178881 Year: 2020 Publisher: London Academic Press

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Ureterocele --- Ureter --- Diagnosis --- Diagnosis. --- Ureters --- Diseases.


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Chaucer and the art of storytelling
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Year: 1988 Publisher: Berkeley Los Angeles London University of California Press

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Ureteroceles : contemporary diagnosis and management
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ISBN: 9780128178898 0128178892 9780128178881 0128178884 Year: 2020 Publisher: London, England : Academic Press,

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The wise woman of Hogsdon: a critical edition
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ISBN: 0824044649 Year: 1980 Publisher: New York Garland

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A critical edition of Thomas Heywood's, the Wise woman of Hogsdon
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Year: 1980 Publisher: New York, London Garland

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Wat heet oud?
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ISBN: 9025268587 Year: 1979 Publisher: Helmond Helmond

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Mobs : an interdisciplinary inquiry
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ISBN: 9789004212459 9004212450 9786613356758 1283356759 9004216820 9789004216822 Year: 2012 Publisher: Leiden ; Boston : Brill,

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The topic of mobs has resonances in a remarkable number of disciplines and provides a link between past and present—mobs are clearly of much importance today. The idea of mobs provides the context for all the essays and topics in this volume — from Heraclitus to the writings of Elias Canetti to the notion of internet mobs. The essays here speak to the complex nature of the mob: its defining characteristics and the varying consequences of its behavior. Mobs as a book brings wide-ranging clarity to a topic that touches such disciplines as medieval studies, literature, musicology, theology and philosophy, history, social theory, the development of the early university, and theatre. Contributors are (in order within the volume): Leonard M. Koff, Ben Schomakers, Bernard S. Bachrach, Nancy van Deusen, Paul W. Knoll, Charlotte Bauer, Andrew Galloway, Robert W. Hanning, Terence Tunberg, Peter Howard, Cornelia Oefelein, Teofilo Ruiz, Richard Taruskin, David B. Rosen, Aino Paasonen and Richard Sogliuzzo.


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Time
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ISBN: 9004312315 9789004312319 9789004310025 Year: 2016 Publisher: Leiden

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The essays in this volume explore the nature of time, our God-given medium of ascent, known, as Augustine puts it, through the ordered study of the “liberal disciplines that carry the mind to the divine ( disciplinae liberales intellectum efferunt ad divina )”: grammar and dialectic, for example, to promote thinking; geometry and astronomy to grasp the dimensions of our reality; music, an invisible substance like time itself, as an exemplary bridge to the unseen substance of thoughts, ideas, and the nature of God (theology). This ascending course of study rests on procedure, progress, and attainment — on before, following, and afterwards — whose goal is an ascending erudition that lets us finally contemplate, as Augustine says in De ordine , our invisible medium — time — within time itself: time is immaterial, but experienced as substantial. The essays here look at projects that chronicle time “from the beginning,” that clarify ideas of creation “in time” and “simultaneous times,” and the interrelationships between measured time and eternity, including “no-time.” Essays also examine time as revealed in social and political contexts, as told by clocks, as notated in music and embodied in memorializing stone. In the final essays of this volume, time is understood as the subject and medium of consciousness. As Adrian Bardon says, “time is not so much a ‘what’ as a ‘how’” : a solution to “organizing experience and modeling events.” Contributors are (in order within the volume) Jesse W. Torgerson, Ken A. Grant, Danielle B. Joyner, Nancy van Deusen, Peter Casarella, Aaron Canty, Jordan Kirk, Vera von der Osten-Sacken, Gerhard Jaritz, Jason Aleksander, Sara E. Melzer, Mark Howard, Andrew Eschelbacher, Hans J. Rindisbacher, James F. Knapp, Peggy A. Knapp, Raymond Knapp, Michael Cole, Ike Kamphof and Leonard Michael Koff.

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