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Book
Wim Wenders and Peter Handke : collaboration, adaption, recomposition
Authors: ---
ISBN: 9789042032477 Year: 2011 Volume: 147 Publisher: Amsterdam New York : Rodopi,

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Book
Wim Wenders and Peter Handke
Authors: ---
ISBN: 128299168X 9786612991684 9042032480 9789042032484 9781282991682 9789042032477 9042032472 Year: 2011 Volume: 147 Publisher: Amsterdam New York, NY Rodopi

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This is the first volume in English to examine in detail one of the most remarkable collaborations between a writer and filmmaker in European cinema. Focusing on the four films Wim Wenders and Peter Handke made between 1969 and 1987 ( 3 American LPs , The Goalkeeper’s Fear of the Penalty , Wrong Move , and Wings of Desire ), it explores the productive tension between adaptation and collaboration and demonstrates the different ways in which text- and image-makers can recompose film’s constituent media (literature, still and moving images, music, drama). The study reveals that this partnership had significant aesthetic and conceptual repercussions for both artists, resulting in a series of single-authored works which manifest the same kinds of intertextuality and disjunctive intermediality that are the hallmark of the collaborations themselves. These include Wenders’s Alice in the Cities , Handke’s films The Chronicle of On-Going Events and The Left-Handed Woman , and his novels Short Letter, Long Farewell and A Moment of True Feeling . While the Wenders-Handke partnership is unique, it contributes to a broader understanding of cinematic adaptation and different models of intermedial collaboration. This volume will be of interest to those working in the fields of Adaptation, Film, and German Studies.


Book
Picturing the family : media, narrative, memory
Authors: ---
ISBN: 9781474283601 1474283608 9781003103837 1003103839 9781000211528 1000211525 9781474283618 9781000212297 1000212297 9781000213188 1000213188 1474283616 1474283632 Year: 2018 Publisher: New-York : Bloomsbury Academic,

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Whether pasted into an album, framed or shared on social media, the family photograph simultaneously offers a private and public insight into the identity and past of its subject. Long considered a model for understanding individual identity, the idea of the family has increasingly formed the basis for exploring collective pasts and cultural memory. Picturing the Family investigates how visual representations of the family reveal both personal and shared histories, evaluating the testimonial and social value of photography and film. Combining academic and creative, practice-based approaches, this collection of essays introduces a dialogue between scholars and artists working at the intersection between family, memory and visual media. Many of the authors are both researchers and practitioners, whose chapters engage with their own work and that of others, informed by critical frameworks. From the act of revisiting old, personal photographs to the sale of family albums through internet auction, the twelve chapters each present a different collection of photographs or artwork as case studies for understanding how these visual representations of the family perform memory and identity. Building on extensive research into family photographs and memory, the book considers the implications of new cultural forms for how the family is perceived and how we relate to the past. While focusing on the forms of visual representation, above all photographs, the authors also reflect on the contextualization and 'remediation' of photography in albums, films, museums and online.--

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