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This hand-out is published on the occasion of the exhibition ACROSS - 8 offices, 8 object, 8 projects organised by A+ ARchitecture in Belgium, the Flanders Architecture Institute (VAi), the Architecture faculty of the Université de Liège and BOZAR at the Centre for Fine Arts in Brussels from 29 November 2018 until 13 January 2019. This exhibition marks the end of the lecture series ACROSS, where young offices from the French speaking part in Belgium were invited to give a lecture on their work in Antwerp, and young offices from the Dutch speaking part of Belgium in Liège. The lectures form part of the program of A+, VAi and the ULiège in 2018.
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it, the selected contour, a text by its author and photographs of the prototype taken by Maxime Delvaux and printed in silver. Objects of Fascination explores digital technology and craftsmanship through found forms. It can be seen as a collection of personal worldviews by an emerging generation of architects, as much as an attempt to give a physical form to the multiplicity of our collective cultural background. Published in collaboration with Architecture Curating Practice.
Fetishism --- Material culture --- Fétichisme --- Culture matérielle --- Architectuur --- België --- Tentoonstellingen --- Mobilier d'architecte --- Création artistique --- Industrieel en grafisch design ; interactieve en experimentele ontwerpen --- Architectuurfotografie ; Maxime Delvaux --- Architectuurtijdschriften ; alternatieve en onafhankelijke tijdschriften ; Accattone --- Design ; gebruiksvoorwerpen ; 21ste eeuw --- CENTRAL office for architecture and urbanism --- 749.039 --- Meubelkunst en design ; 2000 - 2050 --- Table
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The publication is structured around five photographic series, each devoted to a particular building, site or architect: Château de Chambord in France, Dilmun Burial Mounds in Bahrain, Jože Plečnik’s buildings in and around Ljubljana, Río Tinto in Spain, and Victor Horta’s Centre for Fine Arts in Brussels. It is, especially, a book of (hi)stories in which the series by Maxime Delvaux are accompanied by texts. For these, various authors have been invited to react to the images with the idea of experimenting with the text: fiction, historical essay, round-table discussion, scientific text and photonovel. Graphic designers played with text and images to give them form. The reader is in turn invited to create possible alliances between images and texts. Like Maxime Delvaux’s photographic approach, these texts and their articulation with the photographs are specific to each subject, illustrating five ways of showing and telling about places near and far.
Architecture --- Horta, Victor, --- Plečnik, Jože, --- Architectural photography. --- Architectuur ; België ; 21ste eeuw --- Architectuur ; Brussel ; 1920-1928 ; Paleis voor Schone Kunsten --- Horta, Victor 1861-1947 (°Gent, België) --- Plečnik, Jože 1872-1957 (°Ljubljana, Slovenië) --- Thema's in de fotografie ; interieurs --- Fotografie; Architectuurfotografie --- Delvaux, Maxime --- 77.092.07 --- Fotografen A - Z --- Mausolée --- Photographie --- Río Tinto --- Dilmun --- Architectural photography --- Photographie d'architecture --- Delvaux, Maxime.
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Architecture and science --- Architecture --- Art and architecture --- Baukunst (Firm).
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Eurotopie, the selected project for the Belgian Pavilion at the Venice Architecture Biennale of 2018, will address the issues and challenges tackled by the European Union. Despite being the E.U's principal territorial, physical and symbolic anchorage, the European Quarter in Brussels seems in no way to contribute to a collective European identity. The relationship of the European Quarter with its host city, however, is ambiguous. According to the curators Traumnovelle and Roxane Le Grelle, Europe is the only great narrative which can effectively counter nationalism and extremism. With Eurotopie, they hope to arouse political commitment in European citizens and extend an invitation to pursue the construction of Europe as a political ideal as well as its anchorage in Brussels. They also address architects and space-makers in considering how the European democratic space can be constructed, and how it can cohabit with Brussels.
Neighborhood planning --- Architecture --- European communities --- Quartiers (Urbanisme) --- Communautés européennes $x Constructions --- Exhibitions --- History --- Buildings --- Planification --- Expositions --- Histoire --- European Parliament --- International Architectural Exhibition $n (16th : --- Brussels (Belgium) --- Bruxelles (Belgique) --- Buildings, structures, etc. --- Constructions --- 72.039 --- Biennale Architettura 2018 - Architectuurbiennale Venetië --- Architectuurgeschiedenis ; 2000 - 2050 --- Aspect social --- Union européenne --- 72.037 --- 72.078 --- Biennale di Venezia --- Biënnale Venetië --- Biennale Venezia --- Venetië --- Venezia --- 21ste eeuw (architectuur) --- Architectuurtentoonstellingen --- Quartiers (urbanisme) --- Traumnovelle --- Union européenne --- Constructions. --- Exhibitions.
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Samen met curator Angelique Campens en Architecture Curating Practice duikt Bozar de archieven in van architect en beeldhouwer Jacques Moeschal (1913-2004). Als leerling aan de Académie Royale des Beaux-Arts in Brussel raakte hij al snel gefascineerd door de sculpturale mogelijkheden van beton. In het kielzog van de democratisering in het naoorlogse België, staat Moeschal bij het grote publiek vooral bekend om zijn monumentale beeldhouwwerken die integraal deel uitmaken van het autosnelwegennetwerk. Passanten genieten volop mee wanneer ze vanuit hun wagen plots op een imposant werk van Moeschal stoten. De beelden werden landmarks op onze eentonige autostrades. Aan de hand van plannen, filmfragmenten, maquettes en interventies van hedendaagse kunstenaars zal de tentoonstelling dieper inzoomen op de relatie tussen kunst en architectuur in het onderbelichte werk van Moeschal.
kunst --- 7.071 MOESCHAL --- 73.071 MOESCHAL --- kunst en openbare ruimte --- kunst en architectuur --- Moeschal Jacques --- betonsculptuur --- beton --- abstracte beeldhouwkunst --- abstractie --- beeldhouwkunst --- architectuur --- België --- twintigste eeuw --- Exhibitions --- Sculpture --- architecture [discipline] --- public art --- concrete --- monumental sculpture --- Moeschal, Jacques --- 72 MOESCHAL --- 72.036 <493> --- 691.3 --- 7.02 --- 7.02 Kunsttechniek. Methoden en technieken in de kunst --- Kunsttechniek. Methoden en technieken in de kunst --- 691.3 Artificial stone. Concrete. Various agglomerates --- Artificial stone. Concrete. Various agglomerates --- 72.036 <493> Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Architecture --- 73.07 --- Kunst in openbare plaatsen --- Beeldhouwkunst ; beeldhouwers A - Z --- Sculpture, Belgian --- Outdoor sculpture --- Large-scale sculpture --- Concrete construction --- Art and architecture --- Sculpture belge --- Sculpture en plein air --- Sculpture monumentale --- Construction en béton --- Art et architecture --- Exhibitions. --- History --- Expositions --- Histoire --- Moeschal, Jacques, --- Architecture and art. --- Brutalism (Architecture) --- Grafmonumenten
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"This hand-out is published on the occasion of the exhibition ACROSS - 8 offices, 8 object, 8 projects organised by A+ ARchitecture in Belgium, the Flanders Architecture Institute (VAi), the Architecture faculty of the Université de Liège and BOZAR at the Centre for Fine Arts in Brussels from 29 November 2018 until 13 January 2019. This exhibition marks the end of the lecture series ACROSS, where young offices from the French speaking part in Belgium were invited to give a lecture on their work in Antwerp, and young offices from the Dutch speaking part of Belgium in Liège. The lectures form part of the program of A+, VAi and the ULiège in 2018."
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