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"This book explores Virginia Woolf's afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf's physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors' specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf's fictional representations. These contemporary narratives inform us about Woolf's iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf's literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century"--
E-books --- Biography as a literary form --- Woolf, Virginia, --- In literature --- Biography as a literary form. --- In literature. --- Biography --- Authorship --- Prose literature --- History and criticism --- Technique --- Woolf, Virginia --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Woolf, Virginia, - 1882-1941 - In literature --- Woolf, Virginia, - 1882-1941
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"Virginia Woolf's Mrs Dalloway, one of the most significant modernist texts from the Western literary canon, has spawned numerous contemporary offspring. Contemporary authors have dialogued with it, challenged it, reinvented it and offered creative responses to it, thus reinforcing its accumulated critical reputation and canonical status. After meticulously tracing the genesis of Woolf's most iconic novel so as to examine the production of Woolf's idiosyncratic Dalloway-esque signature, A Poetics of Postmodernism and Neomodernism sets out to explore its reproduction by a variety of postmodernist and neomodernist Anglo-American writers who are either openly indebted to Woolf's novel or covertly influenced by it. The contemporary tributes that are indebted to Mrs Dalloway in so many ways have rejuvenated the Woolfian novel and have propelled it into the twenty-first century. Almost a hundred years after its publication, Woolf's Mrs Dalloway has proved to be an enduring text, an 'ice-breaking vessel' which continues to invite 'individual talents' to follow in its wake"-- Provided by publisher.
Postmodernism (Literature) --- Poetics --- Woolf, Virginia, --- Influence.
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This volume contains eight articles that offer a variety of perspectives on the relationship between the text, which can be seen as a variable-shaped object – be it written or spoken, pictorial or digital –, and the act of translation. It wishes to question the way translation could impact the form of a text, i.e. the role translation may play in shaping, constructing, and eventually fabricating a text. The collected edition focuses on the text viewed as an object of study in itself, while choosing an interdisciplinary approach since it brings together literary, linguistic, cultural, and multimodal perspectives. It also fosters combined interest in both theory and practice with contributions from researchers and professional translators, and includes recent approaches to the question. The collection comes to bear upon text-making (edition) and text-shaping (textuality, or 'texture') in a number of ways that make it directly relevant to studies of the book, publishing and textuality.
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Ce volume "Jeunes chercheurs" est consacré aux spécificités du monde éditorial des aires anglophones et francophones aux XVIIe et XVIIIe siècles. Il se situe à la croisée des intérêts actuels, et stimulants, de la recherche en littérature, en histoire, histoire du livre, de l'édition et de l'art, mais aussi histoire des idées et des mentalités. Ces spécificités y sont abordées par le biais, original, de l'habillage du texte et du livre : paratextes lisibles et visibles, traduction, ornementation et reliure, tout un ensemble de stratégies de transformation et d'adaptation des textes et des livres à des horizons de réception différents dans le temps et l'espace.
Paratext --- Publishers and publishing --- Book ornamentation
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Examen des questions liées à la production, à la distribution et à la réception du livre en pays francophones et anglophones. Sont abordées des questions comme la définition des "classiques" entrant dans la Bibliothèque de la Pléiade, la vente des droits à l'étranger pour une petite maison d'édition de littérature jeunesse, les prix littéraires, les e-communautés de lecteurs...
Books --- Book industries and trade --- Livres --- Industrie --- 655.4 --- 09 <035> --- 655.28.022.36 --- Uitgeverij. Boekhandel--algemeen --- Handschriften. Oude en merkwaardige drukken. Curiosa--Grote handboeken. Compendia --- Desktop publishing. Electronic publishing --- 09 <035> Handschriften. Oude en merkwaardige drukken. Curiosa--Grote handboeken. Compendia
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Questioning “Modernism and Unreadability” means exploring Modernism from the perspective of one of its most problematic effects: unreadability. Modernism is approached through the lens of texts known to be particularly resistant to interpretation-“ borderline” modernist texts which fall de facto under the category of the unreadable, i.e., texts which need to be “unraveled” (Barthes) rather than deciphered. Those texts, now part of the literary canon, raise problems of deciphering/comprehension which defer and displace the question of interpretation. From Stein to Eliot, several canonical texts foil reading, articulation, and commentary. Given its intensity, we need to ask ourselves to what extent modernist unreadability defines a unique historical moment. This latter hypothesis underwrites a polemical notion of literary history as a succession of breaks made manifest by the emergence of radically new paradigms-such as unreadability- through which Modernist writings question literariness from the angle of literalness, and challenge literature-both as a practice and as a historical institution-to account for itself, to justify its procedures and its tacitly or implicitly held beliefs, to deconstruct the very meaning of writing and reading.
Literature (General) --- hermeneutics --- Modernism --- unreadability --- literary --- misreading --- wreaderly textuality
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