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Greek Nymphs: Myths, Cult, Lore is the first comprehensive study of the nymph in the ancient Greek world. This well-illustrated book examines nymphs as both religious and mythopoetic figures, tracing their development and significance in Greek culture from Homer through the Hellenistic period. Drawing upon a broad range of literary and archaeological evidence, Jennifer Larson discusses sexually powerful nymphs in ancient and modern Greek folklore, the use of dolls representing nymphs in the socialization of girls, the phenomenon of nympholepsy, the nymphs' relations with other deities in the Greek pantheon, and the nymphs' role in mythic narratives of city-founding and colonization. The book includes a survey of the evidence for myths and cults of the nymphs arranged by geographical region, and a special section of the worship of nymphs in caves throughout the Greek world.
Nymphs (Greek deities) --- Nymphs (Greek deities). --- Nimfen (Griekse godheden) --- Nymphes (Divinités grecques) --- 292.08 --- Religion Classical Greek --- Mythology, Greek --- Nymphes (Divinités grecques) --- Mythologie grecque --- Goddesses, Greek
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This well illustrated book examines nymphs as both religious and mythopoetic figures, tracing their development and significance in Greek culture from Homer through the Hellenistic period.
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These essays suggest an approach to all genres of literature and blend creativity, form, culture, and history into a revisionary aesthetic that allows for no identity or history to remain fixed, with Parks arguing that in order to be relevant they must all be dynamic and democratic.
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Walter Mosley is perhaps best known for his first published mystery, Devil in a Blue Dress, which became the basis for the 1995 movie of the same name featuring Denzel Washington. Mosley has since written more than forty books across an impressive expanse of genres including, but not limited to, nonfiction, science fiction, drama, and even young adult fiction, garnering him many honors including an O'Henry Award, an Anisfield-Wolf Book Award, a Grammy Award, a Pen Center Lifetime Achievement Award, and two NAACP Image Awards for Outstanding Literary Work in Fiction. In Understanding Walter Mosley, Jennifer Larson considers Mosley's corpus as a whole to help readers more fully understand the evolution of his literary agenda. All Mosley's texts feature his trademark accessibility as well as his penchant for creating narratives that both entertain and instruct. Larson examines how Mosley's writing interrogates, complicates, and contextualizes recurring moral, social, and even personal questions. She also considers the possible roots of Mosley's enduring popularity with a diverse group of readers. Larson then traces key themes and claims throughout the Easy Rawlins series to show how Mosley's beloved hero offers unique perspectives on race, class, and masculinity in the mid- to late twentieth century; explores the ways in which Fearless Jones, Mosley's second detective, both builds on and diverges from his predecessor's character; and looks at how the works featuring Leonid McGill, Mosley's junior detective, center on understanding the complex relationship between present-day social dilemmas and the personal as well as the communal past. Regarding Mosley's other genres, Larson argues that the science fiction works together portray a future in which race, class, and gender are completely reimagined, yet still subject to an oppressive power dynamic, while his erotica asks readers to reconsider the dynamics of power and control but in a more personal, even intimate, context. Similarly, in Mosley's nongenre fiction, stories are revived through a reconnection with the past, a reclaiming of cultural heritage and lineage, and a rejection of classist visions of power. Finally, Mosley's nonfiction, which persuades his audience to act through writing, humanitarian efforts, or social uprising, offers a mix of lessons aimed at guiding readers through the same questions that inform his fiction writing.
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Walter Mosley is perhaps best known for his first published mystery, Devil in a Blue Dress, which became the basis for the 1995 movie of the same name featuring Denzel Washington. Mosley has since written more than forty books across an impressive expanse of genres including, but not limited to, nonfiction, science fiction, drama, and even young adult fiction, garnering him many honors including an O'Henry Award, an Anisfield-Wolf Book Award, a Grammy Award, a Pen Center Lifetime Achievement Award, and two NAACP Image Awards for Outstanding Literary Work in Fiction. In Understanding Walter Mosley, Jennifer Larson considers Mosley's corpus as a whole to help readers more fully understand the evolution of his literary agenda. All Mosley's texts feature his trademark accessibility as well as his penchant for creating narratives that both entertain and instruct. Larson examines how Mosley's writing interrogates, complicates, and contextualizes recurring moral, social, and even personal questions. She also considers the possible roots of Mosley's enduring popularity with a diverse group of readers. Larson then traces key themes and claims throughout the Easy Rawlins series to show how Mosley's beloved hero offers unique perspectives on race, class, and masculinity in the mid- to late twentieth century; explores the ways in which Fearless Jones, Mosley's second detective, both builds on and diverges from his predecessor's character; and looks at how the works featuring Leonid McGill, Mosley's junior detective, center on understanding the complex relationship between present-day social dilemmas and the personal as well as the communal past. Regarding Mosley's other genres, Larson argues that the science fiction works together portray a future in which race, class, and gender are completely reimagined, yet still subject to an oppressive power dynamic, while his erotica asks readers to reconsider the dynamics of power and control but in a more personal, even intimate, context. Similarly, in Mosley's nongenre fiction, stories are revived through a reconnection with the past, a reclaiming of cultural heritage and lineage, and a rejection of classist visions of power. Finally, Mosley's nonfiction, which persuades his audience to act through writing, humanitarian efforts, or social uprising, offers a mix of lessons aimed at guiding readers through the same questions that inform his fiction writing.
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Mythology, Greek. --- Mythologie grecque --- Greece --- Grèce --- Religion. --- Religion --- Grece --- Grèce --- Mythology, Greek --- Greek mythology
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Women heroes --- Hero worship --- Cult --- Heroines --- Heroes --- Hero cult --- Worship --- Greece --- Religion. --- Women heroes - Cult - Greece. --- Hero worship - Greece.
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This book explores the intersection of fuzzy mathematics and the spatial modeling of preferences in political science. Beginning with a critique of conventional modeling approaches predicated on Cantor set theoretical assumptions, the authors outline the potential benefits of a fuzzy approach to the study of ambiguous or uncertain preference profiles. While crisp models assume that ambiguity is a form of confusion emerging from imperfect information about policy options, the authors argue instead that some level of ambiguity is innate in human preferences and social interaction. What fuzzy mathematics offers the researcher, then, is a precise tool with which he can model the inherently imprecise dimensions of nuanced empirical reality. Moving beyond the limited treatment fuzzy methodologies have received in extant political science literature, this book develops single- and multidimensional models of fuzzy preference landscapes and characterizes the surprisingly high levels of stability that emerge from interactions between players operating within these models. The material presented makes it a good text for a graduate seminar in formal modeling. It is also suitable as an introductory text in fuzzy mathematics for graduate and advanced undergraduate students.
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