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Sociology of literature --- English literature --- Thematology --- Africa --- African literature (English) --- Authors and publishers --- Authorship --- Literature and society --- Politics and literature --- Publishers and publishing --- History and criticism. --- Social aspects --- AFRICAN LITERATURE --- LITTERATURE ET SOCIETE --- HISTORY AND CRITICISM --- AFRIQUE
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English fiction --- African fiction (French) --- Roman africain (français) --- African authors --- History and criticism --- Histoire et critique --- African fiction (English) --- -African fiction (French) --- -History and criticism --- History and criticism. --- Roman africain (français) --- Achebe, Chinua --- African fiction (English) - History and criticism --- African fiction (French) - History and criticism --- Abrahams (peter) --- African fiction (english) --- Armah (ayi kwei), 1939 --- -Ngugi (james) --- Soyinka (wole), 1934 --- -Tutuola (amos), 1920-1997
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American fiction --- -American fiction --- -Indians in literature --- Indians of North America --- -American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- American literature --- Indian authors --- -History and criticism --- History and criticism --- Intellectual life --- Culture --- Ethnology --- Indians in literature. --- History and criticism. --- Intellectual life. --- -Indian authors --- -Indians of Central America in literature --- American aborigines --- Indians in literature --- Indian authors&delete&
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Invisible Darkness offers a striking interpretation of the tortured lives of the two major novelists of the Harlem Renaissance: Jean Toomer, author of Cane (1923), and Nella Larsen, author of Quicksand (1928) and Passing (1929). Charles R. Larson examines the common belief that both writers ""disappeared"" after the Harlem Renaissance and died in obscurity; he dispels the misconception that they vanished into the white world and lived unproductive and unrewarding lives.In clear, jargon-free language, Larson demonstrates the opposing views that
African Americans -- Intellectual life -- 20th century. --- American fiction -- 20th century -- History and criticism. --- American fiction -- African American authors -- History and criticism. --- Larsen, Nella. --- Toomer, Jean, 1894-1967. --- American fiction --- African Americans --- Novelists, American --- African American novelists --- African Americans in literature. --- African American authors --- History and criticism. --- Intellectual life --- Toomer, Jean, --- Larsen, Nella --- History and criticism --- 20th century --- Biography --- African Americans in literature --- Walker, Nellie, --- Larsen, Nellye --- Larsen, Nellie --- Imes, Nella --- Toomer, N. Jean, --- Pinchback, Eugene, --- Pinchback, Nathan Eugene, --- Toomer, Jean (1894-1967) --- Larsen, Nella (1891-1964) --- Roman américain --- Harlem Renaissance --- Négritude --- Noirs --- Critique et interprétation --- Auteurs noirs américains --- Histoire et critique --- 20e siècle --- Dans la littérature
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English literature --- French literature (outside France) --- African literature --- anno 1900-1999 --- Africa
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English literature --- French literature (outside France) --- African literature --- Africa
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Fiction --- Comparative literature --- anno 1900-1999 --- Developing countries
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