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Louise Bourgeois: The Return of the Repressed shows the enduring presence of psychoanalysis as a motivational force and a site of exploration in her life and work. Selected and edited by Philip Larratt-Smith, her literary archivist, these texts provide a comprehensive overview and re-reading covering 60 years of artistic production. The second volume in this gorgeous set also serves as an impressive and up-to-date monograph, detailing works up until the artist's death in 2010. An astonishing selection of approximately 80 unpublished writings by Louise Bourgeois appears here in print for the first time, which, combined with eight extensive scholarly essays turns our critical understanding of Bourgeois' work on its head. A new and unprecedented insight into the work of one of the 20th century's greatest artists.
705.8 --- Bourgeois, Louise --- conceptuele kunst --- grafiek --- installaties --- textiel --- textielkunst --- kunstgeschiedenis, 20e eeuw --- 7.07 --- 73.07 --- Beeldhouwkunst ; installaties ; environments ; Louise Bourgeois --- Bourgeois, Louise 1911-2010 (°Parijs, Frankrijk) --- Gender Studies --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Kunst en feminisme --- Textiele kunst ; installaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Psychoanalysis and art. --- Bourgeois, Louise, --- Psychology. --- MAD-faculty 12 --- kunst 20-21ste eeuw --- psychoanalyse --- proza
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Iconography --- Art --- art [discipline] --- Aves [class] --- Horn, Roni --- United States of America
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This book is the final, most comprehensive book ever made by Greek-born Jannis Kounellis, one of the key artists in the Arte Povera movement. Following his breakthrough in the late 1960s in Rome, when he questioned the traditionally sterile environment of the gallery by exhibiting live animals within its walls, Kounellis went on to include diverse materials in his work, including fire, earth, gold, wood, and charcoal, quickly establishing himself as one of the most innovative sculptors of our time. Writings by the artist and a collection of tributes from people who have known and worked with him over the years, such as Pierre Audi, David Hammons, Gloria Moure, Giulio Paolini, Vassili Vassilikos, and many others, are included.
Conceptual art --- 7.07 --- Kounellis, Jannis 1936-2017 (°Piraeus, Griekenland). Leefde en werkte in Italië --- Arte Povera --- Kounellis, Jannis ; geschriften ; interviews --- Interviews ; gesprekken met kunstenaars ; Jannis Kounellis --- Intermedia ; installaties ; environments --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kounellis, Jannis, --- Kunellis, I︠A︡nnis, --- Kounellis, Gianni, --- Kounellēs, Giannēs, --- Кунеллис, Яннис, --- Κουνέλλης, Γιάννης, --- Art --- outdoor sculpture --- assemblages [sculpture] --- installations [visual works] --- Contemporary [style of art] --- sculptors --- Kounellis, Jannis
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From 1952 to 1985, Louise Bourgeois (1911-2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition-and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois's work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois's literary archivist, provides an overview of the artist's life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst's viewpoint on the artist's long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud's own relationship to art and artists. Featuring excerpts from Bourgeois's copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud's Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints. Exhibition: Jewish Museum, New York, USA (opens April 2021).
Art --- sculpture [visual works] --- installations [visual works] --- drawing [image-making] --- psychoanalysis --- sexuality --- texts [documents] --- women [female humans] --- Bourgeois, Louise --- Freud, Sigmund --- Psychoanalysis and art --- Psychanalyse et art --- Bourgeois, Louise, --- Freud, Sigmund, --- Psychology --- Influence --- Psychoanalysis and art - Exhibitions --- Bourgeois, Louise, - 1911-2010 - Exhibitions --- Bourgeois, Louise, - 1911-2010 - Psychology - Exhibitions --- Freud, Sigmund, - 1856-1939 - Influence - Exhibitions --- Bourgeois, Louise, - 1911-2010 --- Freud, Sigmund, - 1856-1939
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Art --- sculpture [visual works] --- pornography --- video art --- performance art --- eroticism --- Nauman, Bruce
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Photography, Artistic. --- Sugimoto, Hiroshi, --- Photography, Artistic --- Lightning in art. --- Animals in art. --- 77.092.07 --- Fotografen ; 1980-2015 ; Hiroshi Sugimoto --- Sugimoto, Hiroshi °1948 (°Tokio, Japan) --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- Fotografen A - Z --- 杉本博司, --- Exhibitions --- dioramas --- lightning --- seas --- portraits --- artistieke fotografie --- Sugimoto, Hiroshi --- Lightning in art --- Animals in art --- Sugimoto, Hiroshi, - 1948 --- -Photography, Artistic --- Hiroshi, Sugimoto --- 杉本博司 --- -dioramas --- -Photography, Artistic. --- Sugimoto, Hiroshi, - 1948-
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Art --- drawings [visual works] --- psychology --- Bourgeois, Louise
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The trailblazing work of French - born American artist Louise Bourgeois (1911-2010) will be the subject of a five-decade survey exhibition featuring more than 30 works, all from Glenstone's collection, including a recently acquired master piece that was realized at a pivotal moment in her career: the 1974 installation "The Destruction of the Father." On view in the exhibition will be a selection of early wooden "Personage" sculptures; pieces in bronze, marble, plaster, and rubber; suites of drawings and prints; textile-based works; and room-like installations that she called "Cells." In these works Bourgeois forged a unique vocabulary, powerfully and idiosyncratically expressing psychic states and emotions such as anger, fear, and loneliness, and often evoking a sense of disquiet about the strangeness of the human body. In 1974, Bourgeois made a precursor to these Cells with her first installation, The Destruction of the Father, a theatrically-lit diorama depicting primal violence served up as a commentary on domineering father figures and the imaginary revenge they inspire. Exhibition: Glenstone Museum, Potomac, USA (10.05.2018 - 20.01.2020).
Fathers in art --- Art, Modern --- Art, Abstract --- Women artists --- Art, French --- Bourgeois, Louise, --- Criticism and interpretation. --- Themes, motives. --- Glenstone (Museum)
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