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Avant-garde (Aesthetics) --- Fascism in literature. --- German literature --- Violence in art. --- Violence in literature. --- History and criticism. --- Fascism in literature --- Violence in art --- Violence in literature --- 82.015.9 --- 82.01 --- Aesthetics --- Modernism (Art) --- 82.01 Esthetica --- Esthetica --- 82.015.9 Literaire stromingen: postmodernisme --- Literaire stromingen: postmodernisme --- History and criticism
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Kluge, Alexander --- Negt, Oskar --- Social sciences --- Philosophy, German --- Philosophy. --- Kluge, Alexander, --- Negt, Oskar.
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Kluge, Alexander --- Kluge, Alexander, --- Criticism and interpretation.
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Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking.
Literature --- Motion pictures --- Social sciences --- Social philosophy --- Social theory --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- History. --- Philosophy. --- History and criticism --- Appraisal --- Evaluation --- Alexander Kluge, Aesthetics, Media Theory, Film Theory, Critical Theory.
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Flaschenpost war Adornos resignative Metapher aus dem Jahr 1940 für die eingebüßte Wirkungsmacht der Kritischen Theorie im Exil. Echos einer Flasche heißt für Kluge die bescheidene Optik – etwas indirekt im Glassplitter sehen – womit er wirksame Perspektiven im globalisierten 21. Jahrhundert sucht. Der zweite Band des Kluge-Jahrbuchs widmet sich einerseits Kluges theoretischer Verwandlung am Beispiel seiner Theoriearbeit mit Oskar Negt und andererseits den multimedialen Sichtweisen, die nicht nur seine »Haltung der Bescheidenheit« zum Ausdruck bringen, sondern auch seine theoretischen Wurzeln offenlegen. Adorno characterized Critical Theory as a message in a bottle in 1940 when the exiled Frankfurt School's sphere of influence was an ocean away from the catastrophes of fascism it sought to fight. Turning Adorno’s metaphor on its head some six decades later, Kluge likens his creative method in the interview with Oskar Negt that opens the second volume of the Kluge-Jahrbuch to echoes of light refracted through a bottle: “I can also see something by looking through shards of glass,” he explains. Deploying this turn of phrase as its point of departure, this issue of the Jahrbuch devotes its attention first to Kluge’s theory work written with Negt, its roots in and adaptation of the Frankfurt School tradition as well as its indebtedness to other schools of thought. In the remainder of the volume, scholars working in five different disciplines across the humanities query Kluge’s ways of seeing in film, television and literature.
Théorie littéraire --- Kluge, Alexander, --- Théorie littéraire.
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Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.
PERFORMING ARTS / Film & Video / History & Criticism. --- Berlin School. --- abjection. --- affect studies. --- anti-fascist. --- audiovisual. --- cinematography. --- feminism. --- grassroots activism. --- immigrants. --- intimacy. --- marginalization. --- materiality. --- migrants. --- mockumentaries. --- pessimism. --- phenomenology. --- queer cinema. --- refugees. --- translation. --- voice.
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