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Essays consider recent artistic and critical approaches to materiality, focusing on the moments when materials become willful actors and agents within artistic processes. Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter considering material as the essentialized basis of medium specificity and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of “dematerialization”; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation.
hedendaagse kunst --- art [fine art] --- Contemporary [style of art] --- thema's in de kunst --- Art --- materials [matter] --- anno 2000-2099 --- Art, Modern --- Artists' materials --- Themes, motives --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.023 --- Kunsttheorie ; materialiteit ; transmaterialiteit ; dematerialisering --- Kunstmaterialen --- Kunst ; grondstoffen, materiaalkeuze --- Art moderne --- Matériau --- Analyse de l'art --- Art contemporain --- Andre, Carl --- Antoni, Janine --- Balkin, Amy --- Barry, Robert --- Dion, Mark --- Durham, Jimmie --- Kabakov, Ilya --- Kelley, Mike --- Leonard, Zoe --- Morris, Robert --- Pistoletto, Michelangelo --- Sierra, Santiago --- Smithson, Robert --- Starling, Simon --- Thek, Paul --- Walker, Kara --- Didi-huberman, Georges --- Ingold, Tim --- Lyotard, Jean-François --- Kunst --- kunst --- materialen --- vormloosheid --- vormleer --- vorm --- lichamelijkheid --- materialiteit --- materialisme --- materialenleer --- 130.2 --- 7.039 --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- materials [substances] --- Smithson, Robert, 1938-1973 --- art [discipline] --- Méthodologie --- Espace --- Processus de conception --- Société numérique --- Mouvement moderne --- Typologie des matériaux --- Analyse et théorie de l'art --- Expression artistique --- Création artistique --- Théorie de l'art
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Art --- taxidermy --- fauna --- animal material --- taxidermy mounts --- anno 1800-1999 --- anno 1900-1999
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Political philosophy. Social philosophy --- Art --- anno 1900-1999 --- anno 2000-2099
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Recueil de récits et de textes d'essence théorique, La vie et la mort des œuvres d'art entend poursuivre l'entreprise abordée par l'exposition éponyme au Cneai (Chatou, France) en 2014, et lors du panel de discussion organisé chez Treize (Paris, France) en novembre de la même année. Avec, pour point de départ, une collection d'objets qui furent des œuvres d'art et ne le sont plus, ce livre s'intéresse à différentes continuités matérielles et perceptibles, traversées par la définition d'œuvre d'art. Il convoque plus généralement un certain nombre de questions liées à l'ontologie de l'œuvre d'art : de quelle manière une œuvre s'inscrit-elle dans la continuité matérielle de la forme qui la contient et l'excède ? De quelle façon ce temps de l'œuvre au sein de l'objet excède-t-il à son tour la durée d'une vie humaine? Quelles raisons et quelles pratiques président à la conservation et l'entretien d'un artefact ? La vie et la mort des œuvres d'art se tient là où l'œuvre cesse et tente d'écrire ce qu'elle devient.
Théorie de l'art --- Kunst --- restauratie [procédé] --- kunst --- reconstructies --- behoud --- kunstfilosofie --- Duchamp, Marcel --- Bonnard, Pierre --- Hirst, Damien --- Malevitsj, Kasimir --- Art --- restoration [process] --- art [fine art] --- reconstructions [visual works] --- preservation [function] --- philosophy of art --- art [discipline]
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Art --- installations [visual works] --- ecology --- investigation --- Nature --- sculpting --- Dion, Mark
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