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There are thousands of books that represent the Holocaust, but can, and should, the act of reading these works convey the events of genocide to those who did not experience it? In Textual Silence, literary scholar Jessica Lang asserts that language itself is a barrier between the author and the reader in Holocaust texts-and that this barrier is not a lack of substance, but a defining characteristic of the genre. Holocaust texts, which encompass works as diverse as memoirs, novels, poems, and diaries, are traditionally characterized by silences the authors place throughout the text, both deliberately and unconsciously. While a reader may have the desire and will to comprehend the Holocaust, the presence of "textual silence" is a force that removes the experience of genocide from the reader's analysis and imaginative recourse. Lang defines silences as omissions that take many forms, including the use of italics and "ation marks, ellipses and blank pages in poetry, and the presence of unreliable narrators in fiction. While this limits the reader's ability to read in any conventional sense, these silences are not flaws. They are instead a critical presence that forces readers to acknowledge how words and meaning can diverge in the face of events as unimaginable as those of the Holocaust.
Holocaust, Jewish (1939-1945), in literature. --- Silence in literature. --- Memory in literature. --- Mimesis in literature. --- Realism in literature. --- Literature, Modern --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Memory as a theme in literature --- History and criticism.
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Interfaith relations --- Orthodox Judaism --- Orthodox Judaism. --- Ultra-Orthodox Jews --- Ultra-Orthodox Jews. --- Ultra-Orthodox Jews. --- Nontraditional Jews. --- Relations --- Nontraditional Jews.
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In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as ?off the derech? (OTD), or off the path, with the idea that the ?path? is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society.
Judaism and secularism. --- Judaism and culture. --- Jewish way of life.
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