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Political science --- Social sciences --- Neoliberalism --- Philosophy --- Bourdieu, Pierre, --- Political and social views --- Political and social views. --- Political science - Philosophy --- Social sciences - Philosophy --- Bourdieu, Pierre, - 1930-2002 - Political and social views --- Bourdieu, Pierre, - 1930-2002

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This book lists hundreds of instances in which the United States has used its armed forces abroad in situations of military conflict or potential conflict or for other than normal peacetime purposes. It is intended primarily to provide a rough survey of past US military ventures abroad, without reference to the magnitude of the given instance noted. The listing often contains references, especially from 1980 forward, to continuing military deployments especially US military participation in multinational operations associated with NATO or the United Nations. Most of these post-1980 instances are summaries based on Presidential reports to Congress related to the War Powers Resolution. The instances differ greatly in number of forces, purpose, extent of hostilities, and legal authorisation. Eleven times in its history the US has formally declared war against foreign nations. These eleven US war declarations encompassed five separate wars: the war with Great Britain declared in 1812, the war with Mexico declared in 1846, the War with Spain declared in 1898, the First World War, during which the US declared war with Germany and with Austria-Hungary during 1917, World War II, during which the US declared war against Japan, Germany, and Italy in 1941, and against Bulgaria, Hungary, and Rumania in 1942.

Military assistance, American --- United States

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Jacques Rancière is almost unique amongst contemporary thinkers in his consistent hostility to sociologically informed modes of interpretation. This hostility is not limited to his detailed critiques of Pierre Bourdieu—it characterises his thinking about politics, emancipation, democracy, history, aesthetics, and social class; it extends into a rejection of Marxist or marxisant modes of analysis. For Rancière’s harshest critics, this hostility to sociology reflects an interpretative negligence on his part, an intellectual, political, or moral flaw. Even his more favorable commentators typically upbraid him for failing to specify the historical conditions of possibility of democratic emancipation. This book argues that such reactions are fundamentally mistaken and fail to grasp what is at stake in Rancière’s rejection of sociological modes of enquiry. This rejection is attributable neither to his negligence nor to some moral flaw, and nor is it merely incidental to his thought. On the contrary, Rancière understands sociology to constitute a problematic, a set of assumptions and interpretative procedures whose blind spots must be identified and thought through in order that the possibility of intellectual and political emancipation, of democracy, and of history can be thought at all. Rancière’s thought thus represents a counter-sociology and his rejection of the sociological problematic serves as the positive condition of possibility of his theory of democracy, equality, and emancipation. This new study both clarifies the nature of Rancière’s critique of the sociological problematic and shows what his counter-sociology allows him to think in the domains of politics, history, and education. Jeremy F. Lane is Professor of French & Critical Theory in the Department of Modern Languages & Cultures at the University of Nottingham, UK.

Continental Philosophy. --- Political science --- Critical theory. --- Political Philosophy. --- Critical Theory. --- Philosophy.

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Jazz --- Music and race --- World War, 1939-1945 --- Race and music --- Race --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- History and criticism. --- History --- Music and the war. --- Songs and music --- History and criticism

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