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What can a reclining marble sculpture, conceived through a myth in Greek antiquity, tell us today about the fluidity of our gender construction? What has been the role of aesthetic and historical canons in the construction of the female and male genders? Is ‘the sleeping Hermaphrodite’ really asleep? Or has she/he been induced to a long lethargic state, punished and confined by the history of gender normalization?

kunst --- cultuurfilosofie --- Cycladen --- Hermaphroditus --- hermafroditisme --- gender studies --- beeldhouwkunst --- transseksualiteit --- 73.032 --- 7.032.6 --- 130.2 --- Oudheid --- Griekenland --- 7.041 --- Filosofie ; Cultuurfilosofie --- Iconografie ; de mens, portretten --- Kunstgeschiedenis ; Oud-Griekse kunst --- Identité de genre --- Sexualité --- Antiquité grècque

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Nowhere in Cycladic culture has love been defined in a singular all-encompassing manner. Forces of attraction, affection, connection, and relation were ascribed in a plurality of ways. Through symposia in Delos, the tax haven of antiquity, 17th-century transactions of love involving pirates, slaves, and Mykonians; naturist communities reliving sexual freedom in the 1960-70s and 21st-century tourists quest in search of love, free or paid; this book gathers fragments of expressions of affection across Mykonos island. Mykonos has long defined itself as a self-ruling place far away from realities lived elsewhere.

cultuurfilosofie --- Cycladen --- Griekenland --- Mykonos --- homoseksualiteit --- prostitutie --- seksualiteit --- erotiek --- gender studies --- Delos --- 130.2 --- Filosofie ; Cultuurfilosofie