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Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history.
Biographical fiction, American --- Literature and history --- Literature and society --- History and criticism
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Biofiction, defined as literature that names its protagonist after an actual historical figure, first became popular in the 1930s, but over the last forty years it has become a dominant literary form. Prominent writers such as J.M. Coetzee, Joyce Carol Oates, Russell Banks, Julia Alvarez, Peter Carey, Hilary Mantel, Colm Tóibín, Anne Enright, Colum McCann, and Michael Cunningham have authored spectacular biographical novels which have won some of the world's most prestigious awards for fiction.
Biographical fiction --- History and criticism. --- Biographic fiction --- Biographical novels --- Biography --- Fiction --- History and criticism
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Describes a philosophical tradition of 'black liberation atheism' that emerges, gaining coherence and momentum, in the twentieth century
African American authors --- African Americans --- African Americans in literature. --- Atheism and literature --- American literature --- Afro-American authors --- Authors, African American --- Negro authors --- Authors, American --- Afro-Americans in literature --- Negroes in literature --- Literature and atheism --- Literature --- Political and social views. --- Religion. --- History --- History and criticism. --- Hughes, Langston, --- Larsen, Nella --- Wright, Richard, --- Hughes, James Langston, --- Khʹi︠u︡z, Lengston, --- Hiyūz, Lānkistūn, --- Khʹi︠u︡z, L. --- Huza, L., --- יוז, לענגסטאן, --- ヒューズラングストン, --- Walker, Nellie, --- Larsen, Nellye --- Larsen, Nellie --- Imes, Nella --- Raĭt, Richard, --- Raiṭ, Rits'ard, --- רייט, ריצ׳רד --- רייט, ריצ׳רד, --- رتشارد رايت --- رايت، رتشارد --- Rāyt, Rīchārd, --- راىت، رىچارد --- Criticism and interpretation. --- Hugues, Langston --- History and criticism --- United States --- 20th century --- African Americans in literature --- Religion --- Political and social views --- Wright, Richard --- Criticism and interpretation --- Hughes, Langston
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"The Modernist God State seeks to overturn the traditional secularization approach to intellectual and political history and to replace it with a fuller understanding of the religious basis of modernist political movements. Lackey demonstrates that Christianity, instead of fading after the Enlightenment, actually increased its power by becoming embedded within the concept of what was considered the legitimate nation state, thus determining the political agendas of prominent political leaders from King Leopold II to Hitler. Lackey first argues that novelists can represent intellectual and political history in a way that no other intellectual can. Specifically, they can picture a subconscious ideology, which often conflicts with consciously held systems of belief, short-circuiting straight into political action, an idea articulated by E.M. Forster. Second, in contrast to many literary scholars who discuss Hitler and the Nazis without studying and quoting their texts, Lackey draws his conclusions from close readings of their writings. In doing so, he shows that one cannot understand the Nazis without taking into account the specific version of Christianity underwriting their political agenda."--Bloomsbury Publishing.
Secularization (Theology) --- Modernism (Christian theology) --- Secular theology --- Death of God theology --- Secularism --- Theology, Doctrinal --- Modernism --- Modernist-fundamentalist controversy --- History --- Christianity and literature --- Church and state --- Fiction --- Literature --- National socialism and religion. --- Nation-state --- Politics and literature --- History and criticism. --- Aesthetics. --- Literature and politics --- National state --- State, The --- National interest --- Self-determination, National --- Religion and national socialism --- Religion --- Aesthetics --- Church history --- Literature and Christianity --- Christian literature --- Political aspects
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"Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history."--Bloomsbury Publishing. "The American Biographical Novel examines the rise of this genre of fiction, how it engages and historicizes the political, the unique kind of 'truth' it communicates, and how it contributes to our collective understanding of culture and consciousness"--Bloomsbury Publishing.
Biographical fiction, American --- Historical fiction, American --- Truth in literature. --- History in literature. --- Politics in literature. --- Literature and history --- Literature and society --- Political science in literature --- American biographical fiction --- American fiction --- History and criticism. --- History
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In recent years, the biographical novel has become one of the most dominant literary forms-J.M. Coetzee, Margaret Atwood, Hilary Mantel, Colum McCann, Anne Enright, Joyce Carol Oates, Peter Carey, Russell Banks, and Julia Alvarez are just a few luminaries who have published stellar biographical novels. But why did this genre come into being mainly in the 20th century? Is it ethical to invent stories about an actual historical figure? What is biofiction uniquely capable of signifying? Why are so many prominent writers now authoring such works? And why are they winning such major awards? In Biographical Fiction: A Reader, some of the finest scholars and writers of biofiction clarify what led to the rise of this genre, reflect on its nature and form, and specify what it is uniquely capable of doing. Combining primary and critical material, this accessible reader will be invaluable to students, teachers, and scholars of biofiction.
Biographical fiction --- Biography as a literary form --- Biography in literature --- Biographies as Topic --- Biography as Topic --- Biographic fiction --- Biographical novels --- Biography --- Fiction --- Authorship --- Prose literature --- History and criticism --- Technique
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Biographical fiction --- History and criticism. --- Biographic fiction --- Biographical novels --- Biography --- Fiction
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How does a writer approach a novel about a real person? In this new collection of interviews, authors such as Emma Donoghue, David Ebershoff, David Lodge, Colum McCann, Colm Tóibín, and Olga Tokarczuk sit down with literary scholars to discuss the relationship of history, truth, and fiction. Taken together, these conversations clarify how the biographical novel encourages cross-cultural dialogue, promotes new ways of thinking about history, politics, and social justice, and allows us to journey into the interior world of influential and remarkable people.
Biographical fiction --- Novelists --- History and criticism. --- History and criticism --- Biographic fiction --- Biographical novels --- Biography --- Fiction --- Authors
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"This book contains the most important interviews with Jay Parini, who is best known for his 1990 The Last Station, a multi-perspective novel about Leo Tolstoy's last year. But he has also published numerous volumes of poetry; biographies of William Faulkner, Robert Frost, and John Steinbeck; novels; and literary and cultural criticism. Parini's work is valuable not just because of its high quality and intellectual range. It is crucial for understanding late-20th and early-21st century literature more generally, as Parini not only engages in a lively conversation with other prominent writers, but also was close friends with so many of these authors. He has openly written poems in conversation with such writers as Robert Penn Warren, Gore Vidal, Jorge Luis Borges, and others. He has had an ongoing conversation with many literary friends over the years--Alastair Reid, Seamus Heaney, Anne Stevenson, Ann Beattie, Julia Alvarez, Peter Ackroyd, A.N. Wilson, and countless others. His life often seems like a seminar table, with friends gathered, talking, trading stories. These interviews will give scholars a more comprehensive understanding of his work as a poet, scholar, public intellectual, literary critic, intellectual historian, biographer, novelist, and biographical novelist. More importantly, these interviews will contribute to our understanding of the history of ideas, the condition of knowledge, and the state of literature, which Parini has played an important role in shaping"--
Authors, American --- Parini, Jay --- Parini, Jay,
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Biofiction is literature that names its protagonist after an actual historical figure, and it has become a dominant literary form over the last 35 years. What has not yet been scholarly acknowledged or documented is that the Irish played a crucial role in the origins, evolution, rise, and now dominance of biofiction. Michael Lackey first examines the groundbreaking biofictions that Oscar Wilde and George Moore authored in the late 19th and early 20th centuries as well as the best biographical novels about Wilde (by Peter Ackroyd and Colm Tóibín). He then focuses on contemporary authors of biofiction (Sabina Murray, Graham Shelby, Anne Enright, and Mario Vargas Llosa, who Lackey has interviewed for this work) who use the lives of prominent Irish figures (Roger Casement and Eliza Lynch) to explore the challenges of seizing and securing a life-promoting form of agency within a colonial and patriarchal context. In conclusion, Lackey briefly analyzes biographical novels by Peter Carey and Mary Morrissy to illustrate why agency is of central importance for the Irish, and why that focus mandated the rise of the biographical novel, a literary form that mirrors the constructed Irish interior.
Biographical fiction --- Irish in literature --- English fiction --- Irish authors --- History and criticism
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