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Durkheim, Emile --- Durkheim, Émile, --- 316.253 --- #SBIB:316.20H32 --- Durkheim. Sociologisme--(sociologische scholen) --- De sociologie van Emile Durkheim: secundaire bronnen --- 316.253 Durkheim. Sociologisme--(sociologische scholen) --- Tʻu-erh-kan, --- Di︠u︡rkem, E., --- Durkheim, David Émile, --- Di︠u︡rkgeĭm, Ėmilʹ, --- Dyurukēmu, Emīru, --- Durkheim, Emilio, --- Dirkem, Emil, --- Durkheim, Émile, - 1858-1917
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In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
Flaubert, Gustave --- Flaubert, Gustave, --- LITERARY CRITICISM / European / French.
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History as a science --- Historiography --- Historiographie --- Historiography. --- Historical criticism --- History --- Authorship --- Criticism
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Comparative literature --- Thematology --- 82:93 --- Literatuur en geschiedenis --- Fiction --- Literature and history. --- Politics and literature. --- History and criticism. --- 82:93 Literatuur en geschiedenis --- Literature and history --- Politics and literature --- Literature --- Literature and politics --- History and literature --- History and poetry --- Poetry and history --- History --- History and criticism --- Political aspects
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Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory.
Holocaust, Jewish (1939-1945) --- Holocauste, 1939-1945 --- Historiography. --- Psychological aspects. --- Influence. --- Historiographie --- Aspect psychologique --- Influence --- 82:159.9 --- Literatuur en psychologie. Literatuur en psychoanalyse --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Prison psychology --- Historiography --- Psychological aspects --- Holocaust [Jewish ] (1939-1945) --- Cognitive psychology --- Jewish religion --- World history --- anno 1940-1949 --- Shoah
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History --- Personality and history --- Psychohistory --- Histoire --- Personnalité et histoire --- Psychohistoire --- Psychological aspects --- Philosophy --- Social aspects --- Aspect psychologique --- Philosophie --- Aspect social --- 82:93 --- 930.11 --- Literatuur en geschiedenis --- Filosofie van de geschiedenis. Geschiedenisfilosofie --- Personality and history. --- Psychohistory. --- Philosophy. --- Psychological aspects. --- Social aspects. --- 930.11 Filosofie van de geschiedenis. Geschiedenisfilosofie --- 82:93 Literatuur en geschiedenis --- Personnalité et histoire --- Psychoanalysis in historiography --- Child psychology --- Historiography --- Psychoanalysis --- Historiometry --- History and personality --- Annals --- Auxiliary sciences of history --- History, Modern
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Dominick LaCapra's History and Its Limits articulates the relations among intellectual history, cultural history, and critical theory, examining the recent rise of "Practice Theory" and probing the limitations of prevalent forms of humanism. LaCapra focuses on the problem of understanding extreme cases, specifically events and experiences involving violence and victimization. He asks how historians treat and are simultaneously implicated in the traumatic processes they attempt to represent. In addressing these questions, he also investigates violence's impact on various types of writing and establishes a distinctive role for critical theory in the face of an insufficiently discriminating aesthetic of the sublime (often unreflectively amalgamated with the uncanny).In History and Its Limits, LaCapra inquires into the related phenomenon of a turn to the "postsecular," even the messianic or the miraculous, in recent theoretical discussions of extreme events by such prominent figures as Giorgio Agamben, Eric L. Santner, and Slavoj Zizek. In a related vein, he discusses Martin Heidegger's evocative, if not enchanting, understanding of "The Origin of the Work of Art." LaCapra subjects to critical scrutiny the sometimes internally divided way in which violence has been valorized in sacrificial, regenerative, or redemptive terms by a series of important modern intellectuals on both the far right and the far left, including Georges Sorel, the early Walter Benjamin, Georges Bataille, Frantz Fanon, and Ernst Jünger.Violence and victimization are prominent in the relation between the human and the animal. LaCapra questions prevalent anthropocentrism (evident even in theorists of the "posthuman") and the long-standing quest for a decisive criterion separating or dividing the human from the animal. LaCapra regards this attempt to fix the difference as misguided and potentially dangerous because it renders insufficiently problematic the manner in which humans treat other animals and interact with the environment.In raising the issue of desirable transformations in modernity, History and Its Limits examines the legitimacy of normative limits necessary for life in common and explores the disconcerting role of transgressive initiatives beyond limits (including limits blocking the recognition that humans are themselves animals).
Animals (Philosophy). --- Historiography. --- Human beings --- Intellectual life --- Violence --- Animal nature. --- History. --- Philosophy. --- Animals (Philosophy) --- Historiographie --- Vie intellectuelle --- Homme --- Animaux (Philosophie) --- Histoire --- Animalité --- Philosophie
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Race in literature. --- African Americans in literature. --- Blacks in literature. --- Blacks --- Ethnicity. --- Race identity. --- African Americans in literature --- Blacks in literature --- Ethnicity --- Race in literature --- Ethnic identity --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of blacks --- Racial identity of blacks --- Negroes in literature --- Afro-Americans in literature --- Race identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Race awareness --- Race identity of Black people --- Racial identity of Black people --- Black people in literature. --- Black people --- Black persons --- Negroes --- Ethnology --- Noirs américains --- Noirs --- Race --- Ethnicité --- Dans la littérature --- Noirs américains --- Ethnicité --- Dans la littérature
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