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Authenticity in performance : eighteenth-century case studies.
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ISBN: 0521399262 Year: 1990 Publisher: Cambridge : Cambridge university press,

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Music and the reformation in England 1549-1660
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ISBN: 0521294185 0521219582 9780521294188 Year: 1988 Publisher: Cambridge: Cambridge university press,

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In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. Peter Le Huray traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background.


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The treasury of English church music 1545-1650
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ISBN: 0521248892 9780521248891 Year: 1982 Publisher: Cambridge: Cambridge university press,

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The Treasury of English Church Music 1545-1650
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ISBN: 0521284058 Year: 1982 Publisher: Cambridge ; New York, NY : Cambridge University Press,

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The Chirk Castle partbooks
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Music and the arts in pre-Renaissance and Renaissance worship: a question of 'expression'
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The treasury of English Church Music 1545 - 1650 : (Tye, Merbecke, Tallis, Parsons, Stone, Mundy, Caustun, Farrant, White, Byrd, Morley, Bull, Philips, Farmer, Tomkins, Weelkes, Dering, Gibbons, Amner, Batten, Porter, Child)
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Year: 1982 Publisher: London Cambridge

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Music and the reformation in England 1549-1660
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Year: 1967 Publisher: London Jenkins

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Anthems and motets
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ISBN: 0852493975 9780852493977 Year: 1976 Volume: vol XXXVIII Publisher: London Stainer and Bell

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Music and aesthetics in the eighteenth and early-nineteenth centuries
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ISBN: 0521234263 Year: 1981 Publisher: Cambridge Cambridge University press

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This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.

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