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German poetry --- World War, 1914-1918 --- World War, 1914-1918 --- War poetry, German --- English poetry --- War poetry, English

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World War, 1914-1918 --- German literature --- English literature --- Literature and the war --- Congresses. --- History and criticism --- Duitse letterkunde en Wereldoorlog I --- Engelse letterkunde en Wereldoorlog I --- geschiedenis en kritiek --- geschiedenis en kritiek. --- World War, 1914-1918 - Germany - Literature and the war - Congresses. --- World War, 1914-1918 - Great Britain - Literature and the war - Congresses. --- German literature - 20th century - History and criticism - Congresses. --- English literature - 20th century - History and criticism - Congresses.

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Canadian literature --- Canadian fiction --- Migration, Internal, in literature --- Emigration and immigration in literature --- 82.04 --- 820 <71> --- Canadian literature (English) --- English literature --- Canadian fiction (English) --- History and criticism --- Themes, motives --- Literaire thema's --- Engelse literatuur--Canada --- Conferences - Meetings --- 820 <71> Engelse literatuur--Canada --- 82.04 Literaire thema's --- English-Canadian fiction --- English fiction --- Émigration et immigration --- Littérature canadienne --- Dans la littérature --- 20e siècle --- Histoire et critique --- 21e siècle --- Émigration et immigration --- Dans la littérature

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As a result of its colonial past, Canadian culture has been shaped by French, British and other European influences; since the second half of the twentieth century, however, large-scale immigration from Asia, Africa, the Caribbean, Latin America and the Middle East, as well as economic and cultural globalization and the recognition of the cultural significance of the country’s First Nations have transformed Canadian society, and this transformation has affected the European dimension of Canada’s cultural heritage, too. The publication addresses the role of this dimension in the collective consciousness of contemporary Canada and the complexities of Canadian-European political and cultural relations at the beginning of the twenty-first century. = En raison de son passé colonial, la culture canadienne a été façonnée par des influences françaises et britanniques ainsi que par d’autres cultures européennes. Cependant, à partir de la deuxième moitié du 20e siècle, l’immigration importante de l’Asie, de l’Afrique, des Caraïbes, de l’Amérique latine et du Proche-Orient, la globalisation économique et culturelle ainsi que la reconnaissance officielle des Premières Nations ont transformé la société canadienne. Cette transformation a également eu des conséquences sur la dimension européenne de l’héritage culturel du Canada. Le livre aborde le rôle de cette dimension dans la conscience collective du Canada contemporain et la complexité des relations politiques et culturelles entre l’Europe et le Canada au début du 21e siècle.

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While filmic representations of ‘enemies’ are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories. The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military conflicts, ethnic, racial and gender conflicts, socio-political conflicts and forms of terrorism. The essays concentrate on film aesthetics and contemporary (geo)politics, on filmic renderings of identity crises caused by troubled national pasts, and on the way films explore the collective psychological mechanisms at play in the construction, perpetuation or problematizing of enemy images. The volume aims to show how in spite of the diversity of national cinemas, moving images are constitutive of national collectivities by rendering conflicts involving an external or internal enemy as the defining points in national or communal histories. It also points out how the dynamics of internalism and exteriority (of ‘we’ and ‘they’) has proved vital in this process.