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On the cusp of the American Civil War, a new generation of reformers, including Theodore Parker, Frederick Douglass, Harriet Beecher Stowe, Martin Robison Delany and Thomas Wentworth Higginson, took the lead in the antislavery struggle. Frustrated by political defeats, a more aggressive Slave Power, and the inability of early abolitionists like William Lloyd Garrison to rid the nation of slavery, the New Romantics crafted fresh, often more combative, approaches to the peculiar institution. Contrary to what many scholars have argued, however, they did not reject Romantic reform in the process. Instead, the New Romantics roamed widely through Romantic modes of thought, embracing not only the immediatism and perfectionism pioneered by Garrisonians but also new motifs and doctrines, including sentimentalism, self-culture, martial heroism, Romantic racialism, and Manifest Destiny. This book tells the story of how antebellum America's most important intellectual current, Romanticism, shaped the coming and course of the nation's bloodiest - and most revolutionary - conflict.

Antislavery movements --- Abolitionists --- Social reformers --- Romanticism --- Slavery in literature. --- Antislavery movements in literature. --- American literature --- Slavery and slaves in literature --- Slaves in literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- History --- Political aspects --- Social aspects --- History and criticism. --- United States --- Intellectual life --- Politics and government --- Enslaved persons in literature

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One of Janet Maslin's Favorite Books of 2018, The New York Times One of John Warner's Favorite Books of 2018, Chicago Tribune Named one of the "Best Civil War Books of 2018" by the Civil War Monitor "A fascinating and important new historical study." — Janet Maslin, The New York Times "A stunning contribution to the historiography of Civil War memory studies." — Civil War Times The stunning, groundbreaking account of "the ways in which our nation has tried to come to grips with its original sin" (Providence Journal) Hailed by the New York Times as a "fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most," Denmark Vesey's Garden "maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country" (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, "Kytle and Roberts's combination of encyclopedic knowledge of Charleston's history and empathy with its inhabitants' past and present struggles make them ideal guides to this troubled history" (Publishers Weekly, starred review). A work the Civil War Times called "a stunning contribution, " Denmark Vesey's Garden exposes a hidden dimension of America's deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery's enduring legacy in the United States.

Slavery --- Memory --- History. --- Social aspects --- Vesey, Denmark, --- Emanuel AME Church (Charleston, S.C.) --- Charleston (S.C.) --- History