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In 1966, Billy Kluver and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its members-including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor-imagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and 70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. EXHIBITION J. Paul Getty Museum, Getty Center September 10, 2024-February 23, 2025Clear-eyed and clear-eared insights by scholars at the very top of their topics, and beautifully designed and illustrated with archival treasures from the Getty Research Institute, Sensing the Future is an indispensable document on Experiments in Art and Technology, and on key events of the period in art, music, dance, performance, and everything in-between.- Douglas Kahn, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the ArtsThis book presents multifaceted scholarly investigations of an organization that was committed to collaborations among artists, engineers, and scientists, but it was also an organization that continued to reinvent itself as it seized new opportunities to change society and the future. - Julie MartinSensing the Future: Experiments in Art and Technology explores a largely ignored conceptual and material transformation of the arts in the 1960s. Framed by nine performances at the New York Armory in October 1966 and the Pepsi Pavilion at Osaka?s Expo ?70, it focuses on the imaginative collaborations of engineers, especially Bell Labs?s visionary Billy Klüver, with artists, composers, and dancers?among them Tinguely and Rauschenberg, Cage and Tudor, Hay and Rainer. Through the examination of works that grew out of technological innovations and engaged the senses, editors Nancy Perloff and Michelle Kuo conclude that these experiences suggested the ?future of modern society? as ?contingent, shifting, and open-ended.? ? Jann Pasler, Distinguished Professor, University of California, San DiegoBron : https://www.amazon.co.uk/Sensing-Future-Experiments-Technology-T/dp/1606069233

Kunst --- Artificiële intelligentie --- Technologie --- Gegevensverwerking --- Beeldbewerking --- Engineering sciences. Technology --- Art --- Modern [style or period] --- kunst en technologie --- EAT --- anno 1900-1999

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"Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences--spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog--MoMA's first major publication on video art in nearly 30 years--explores the ways in which artists have both championed and questioned video's promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself. Lavishly illustrated essays by esteemed scholars and artists--including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram--highlight video's widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life"--

Video art --- Experimental films --- film --- kunst --- videokunst --- 791.45 --- videoinstallaties --- videokunst en openbare ruimte --- Abu Hamdan Lawrence --- Ant Farm --- American Artist --- Béar Liza --- Bender Gretchen --- Birnbaum Dara --- Black Audio Film Collective --- CADA (Colectivo Acciones de Arte) --- Callas Peter --- Delat Chto --- Cokes Tony --- Cort David --- Davidovich Jaime --- Export Valie --- Farocki Harun --- Galindo Regina José --- Galloway Kit --- Geiger Anna Bella --- General Idea --- Gillette Frank --- Graham Dan --- Hatoum Mona --- Hughes Every Ocean --- Idemitsu Mako --- Iveković Sanja --- Jacir Emily --- Jenkins Ulysses --- Kanwar Amar --- Kavelina Dana --- Klier Michael --- Leeson Lynn Hershman --- Leppe Carlos --- Masayesva Jr. Victor --- Minujín Marta --- Motta Carlos --- Mujinga Sandra --- Muntadas --- Nakaya Fujiko --- New Red Order --- Not Channel Zero --- Paik Nam June --- Parente Letícia --- Perry Sondra --- Pindell Howardena --- Raad Walid --- Raindance Corporation --- Riggs Marlon --- Rosler Martha --- Santos Eder --- Scher Julia --- Serra Richard --- Sia Tiffany --- Song Dong --- Stark Frances --- Syms Martine --- Tajiri Rea --- Tas Marcelo --- Tsang Wu --- TVTV --- Vanderbeek Stan --- Videofreex --- Vostell Wolf --- Wong Ming --- Zhen Xu --- Yalter Nil --- Yau Ching --- Žmijewski Artur --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Time-based art --- History --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- video [discipline] --- video artists --- experimental films --- multimediakunst

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This is the second in the Summit publication series, disseminating key insights of the 2018 Summit and extending a global dialogue on an important social issue: art in the digital age. The multidisciplinary perspectives come together through the inspirational book design by Irma Boom.0Acting as a cultural incubator for innovative ideas and change, the Verbier Art Summit is an international platform erected to optimise the role of art in a global society. Their mission is to connect thought leaders to key figures in the art world and thus position the Summit as a catalyst for innovation and change. Their vision is to create an influential platform in a non-transactional context for artists, curators, museum directors, private and corporate collectors, art historians/critics, gallerists and art consultants to generate new insights and ideas. 00Exhibition: Verbier Art Summit, Switzerland (18.01. - 20.01.2018).

globalization --- augmented reality --- art [fine art] --- technology --- virtual reality --- Art --- computer art [visual works] --- Computer art --- Virtual reality in art --- technology [general associated concept] --- art [discipline]

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