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Der Quedlinburger Schatz Wieder Verent (Berlin, Allemagne) --- Art, Carolingian --- Art, Ottonian --- Christian art and symbolism --- Reliquaries --- Relics and reliquaries --- Containers --- Religious articles --- Shrines --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Ottonian art --- Art, Medieval --- Art, Carlovingian --- Carolingian art --- Stiftskirche zu Quedlinburg --- Quedlinburg (Germany). --- Quedlinburger Dom --- Stiftskirche (Quedlinburg, Germany) --- Quedlinburg, Ger. --- St. Servatiikirche (Quedlinburg, Germany) --- Servatiikirche (Quedlinburg, Germany) --- Schlosskirche Sankt Servatii (Quedlinburg, Germany) --- Abbey Church (Quedlinburg, Germany) --- Stiftskirche St. Servatius (Quedlinburg, Germany) --- St. Servatius (Church : Quedlinburg, Germany) --- Stiftskirche St. Servatii (Quedlinburg, Germany) --- Damenstiftskirche St. Servatius (Quedlinburg, Germany) --- Collegiate Church of St Servatius (Quedlinburg, Germany) --- Symbolism in art --- Art chrétien --- Art médiéval --- Allemagne --- Moyen âge --- Quedlinburg (allemagne)
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Art metal-work, Byzantine --- Art metal-work, Medieval --- Art metal-work --- Congresses --- Congresses --- Conservation and restoration --- Congresses.
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Along with urban planning and architecture, design played a central role in shaping the socialist future. On both sides of the Iron Curtain, it was above all the issue of housing that became the yardstick of the successful implementation of visions of a better world. Beginning in Berlin with its early housing exhibitions which took place in an atmosphere that was shaped by political rivalry and the pathos of progress, this publication focuses on the (post-)Soviet satellite states. It explores the socio-political dimension of housing and the role of design between utopia, power and gender discourses. In their texts, 25 experts from around the world present different designs and interiors. They cover a wide range of objects from kitchen utensils to space rockets. The book thus makes a significant contribution to the current discourse on (post-)socialist design, which is gaining increasing academic attention especially internationally. For the first time, authors originating from the various (post-)Soviet countries have worked together on a publication: it fills an important lacuna in the study of the history of design.
Architectuur ; stedenbouw ; visionaire ; 20ste eeuw ; sixties --- Architectuur en politiek ; modernisme en socialisme --- Architectuur en propaganda ; Sovjettijdperk --- Architectuur ; Sovjet-Unie ; 20ste eeuw ; 21ste eeuw --- Themas' in de kunst en film ; idealisme ; Sovjetpropaganda --- Interieurvormgeving ; meubelen ; Sovjet Unie ; 20ste eeuw --- Interieurarchitectuur ; geschiedenis ; 2de helft 20ste eeuw --- Meubelkunst ; geschiedenis ; 2de helft 20ste eeuw --- 749.038 --- Meubelkunst en design ; 1950 - 2000 --- twintigste eeuw --- Sovjet-Unie --- interieurvormgeving --- meubelkunst --- meubelontwerp --- design --- design en politiek --- 745.036 --- productdesign --- communisme --- koude oorlog --- Design --- History --- 772.6 --- 774.1 --- interieurarchitectuur (interieurvormgeving) --- socialisme --- grafisch design --- lampen --- verlichting --- Koude Oorlog --- politiek --- cultuurtheorie --- modulair ontwerpen --- sixties --- seventies --- Holešťák-Holubár, Viktor --- vrouwelijke ontwerpers --- 718.69 --- architectuur --- ruimtevaart --- ijzeren gordijn --- productdesign, historisch, 1945-, algemeen --- binnenhuis- en meubelkunst, historisch, algemeen --- architectuur, geschiedenis volgens genres/doeleinden, overige gebouwen
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