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Sound Design is the New Score explores the new trend of blurring the line between score and sound design which has transformed contemporary film soundscape by rejecting the conventions of classical scoring and challenging the modes of perception it shaped.

Motion picture music --- Film soundtracks --- History and criticism. --- Motion picture music - History and criticism --- Film soundtracks - History and criticism --- Sound design

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This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.

Motion pictures --- Motion picture music. --- Background music for motion pictures --- Film music --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Sound effects (Motion pictures) --- Sound effects. --- Motion picture acting. --- Music. --- Screen Performance. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Film acting --- Moving-picture acting --- Acting

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This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.

Music --- Film --- cultuur --- muziek