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A polycentric approach to the representation of slums in world cinemaNear to one billion people call slums their home, making it a reasonable claim to describe our world as a ‘planet of slums.’ But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world’s most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our ‘planet of slums’, exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis’ How The Other Half Lives (1890) to Danny Boyle’s Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predecessors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our ‘planet of slums’.Read the introduction to Slums on Screen for free (pdf)Key FeaturesTraces the global flows of film culture through emphasising the transnational impact of important film movementsFocuses on two important ‘cinematic megacities’ (Rio de Janeiro and Mumbai) to outline how global film cultural currents become modified according to a specific local contextCombines approaches from cultural, globalisation and film studies to reconstruct world cinema’s ‘planet of slums’Adds a new perspective on cultural (world cinema) and social (cityward migration) globalisation processes"
Motion pictures --- Cities and towns in motion pictures. --- Slums. --- Slum clearance --- Housing --- History. --- History and criticism --- PERFORMING ARTS / Film / General.
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'World Cinema and the Essay Film' examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The text identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalisation. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.
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From Jacob Riis’ How The Other Half Lives (1890) to Danny Boyle’s Slumdog Millionaire (2008), Igor Krstić outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our ‘planet of slums’.
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Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. Contributors: Chris Berry, Yomi Braester, Jinhee Choi, Pei-Sze Chow, Thomas Elsaesser, Malini Guha, Jonathan Haynes, Will Higbee, Igor Krstic, Christian B. Long, Joanna Page, Lawrence Webb.
Cities and towns in motion pictures. --- Cities and towns in mass media. --- Villes --- Cinéma --- Thèmes, motifs --- Au cinéma --- Mass media --- Motion pictures --- Film --- Au cinéma. --- Thèmes, motifs. --- Cities and towns in motion pictures --- Cities and towns in mass media
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