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Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres

Dance --- Dance companies --- Performing arts --- Sengal --- Senegal --- Social policy. --- Social life and customs.

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Dance is more than an aesthetic of life - dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post

Dance --- Tourism --- Danse --- Tourisme --- Social aspects. --- Anthropological aspects --- Aspect social --- Aspect anthropologique --- #SBIB:39A5 --- Dance and society --- Dancing and society --- Society and dance --- Anthropology --- Kunst, habitat, materiële cultuur en ontspanning --- Anthropological aspects. --- Social aspects