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Music --- Theatrical science --- Performance practice (Music) --- Pratique de l'exécution (Musique) --- Musique --- History --- History and criticism --- Histoire --- Histoire et critique --- Performance. --- History and criticism. --- Pratique de l'exécution (Musique)
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Music --- Renaissance --- muziekgeschiedenis --- Barcelona
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This book explores Juan de Anchieta’s life and his music and, for the first time, presents a critical study of the life and works of a major Spanish composer from the time of Ferdinand and Isabel. A key figure in musical developments in Spain in the decades around 1500, Anchieta served in the Castilian royal chapel for over thirty years, from his appointment in 1489 as a singer in the household of Queen Isabel, and he continued to receive a pension from her grandson, the Emperor Charles V, until his death in 1523. He traveled to Flanders in the service of the Catholic Monarchs’ daughter Juana, and was briefly music master to Charles himself. Anchieta, along with Francisco de Peñalosa, his contemporary in the Aragonese chapel, and a few others, was a key figure in the rise of elaborate written polyphony in the Spain of Josquin’s time.The book brings together two of the leading specialists in Spanish music of the era in order to review and revise the rich biographical material relating to Anchieta’s life, and the historiographical traditions which have dominated its telling. After a biographical overview, the chapters focus on specific genres of his music, sacred and secular, with suggestions as to a possible chronology of his work based on its codicology and style, and consideration of the contexts in which it was conceived and performed. A final chapter summarizes his achievement and his influence in his own time and after his death. As the first comprehensive study of Anchieta’s life and works, The Music of Juan de Anchieta is an essential addition to the history of Spanish music.
Music --- History and criticism --- Anchieta, Juan de, --- Criticism and interpretation. --- de Anchieta, Juan
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"Spanish church music prior to the work of Francisco de Penalosa at the end of the fifteenth century has been much neglected, partly because much of it is anonymous and scattered throughout a number of manuscripts. This book aims to redress the balance, identifying and examining nearly 70 pieces of surviving Latin sacred music written in Spain between 1400 and the early 1500s, and discussing them source by source; the author argues that they reveal a rapid and dramatic change, not only in style and sophistication, but in the level of self-consciousness they demonstrate, creating a new national music as Ferdinand and Isabella of Spain were creating a new nation. He moves on from this to set Penalosa's work, written in a more mature, northern-oriented style which influenced Iberian composers for generations after his death."--Jacket.
Church music --- Musique d'église --- Catholic Church --- Eglise catholique --- Musique d'église --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- History and criticism --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Religious aspects --- Christianity --- 15th century --- Spain --- 78.24 --- 78.93
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Music --- anno 1400-1499 --- anno 1500-1599 --- Motets --- Sacred vocal music --- Music and literature --- Musique vocale sacrée --- Musique et littérature --- History and criticism --- Congresses. --- Congresses --- Histoire et critique --- Congrès --- Musique vocale sacrée --- Musique et littérature --- Congrès --- 16th century
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