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Drawing extensively on unpublished manuscript sources, this study uncovers the culture of experimentation that surrounded biblical exegesis in fourteenth-century England. In an area ripe for revision, Andrew Kraebel challenges the accepted theory (inherited from Reformation writers) that medieval English Bible translations represent a proto-Protestant rejection of scholastic modes of interpretation. Instead, he argues that early translators were themselves part of a larger scholastic interpretive tradition, and that they tried to make that tradition available to a broader audience. Translation was thus one among many ways that English exegetes experimented with the possibilities of commentary. With a wide scope, the book focuses on works by writers from the heretic John Wyclif to the hermit Richard Rolle, alongside a host of lesser-known authors, including Henry Cossey and Nicholas Trevet, and many anonymous texts. The study provides new insight into the ingenuity of medieval interpreters willing to develop new literary-critical methods and embrace intellectual risks.
Bible --- History and criticism. --- Bible. --- Commentaries --- Criticism, interpretation, etc. --- History --- Translating --- Versions
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Bible --- History of the United Kingdom and Ireland --- anno 500-1499
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Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The men and women who held this office in cathedrals and monasteries wereresponsible for calculating the date of Easter and the feasts dependent on it, for formulating liturgical celebrations season by season, managing the library and preparing manuscripts and other sources necessary to sustain the liturgical framework of time, and promoting the cults of saints. Crucially, their duties also often included committing the past to writing, from simple annals and chronicles to more fulsome histories, necrologies, and cartularies, thereby ensuring that towns, churches, families, and individuals could be commemorated for generations to come.
The contributions hereseek to address the fundamental question of how the range of cantors' activities can help us to understand the many different ways in which the past was written and, in the liturgy, celebrated acrossthe middle ages. Cantors, as this volume makes clear, shaped the communal experience of the past in the Middle Ages; the essays are studies of constructions, both of the building blocks of time and ofthe people who made and performed them, in acts of ritual remembrance and in written records.
Contributors: Cara Aspesi, Alison I. Beach, Katie Ann-Marie Bugyis, Margot E. Fassler, David Ganz, James Grier, Paul Antony Hayward, A.B. Kraebel, Lori Kruckenberg, Rosamond McKitterick, Henry Parkes, Susan Rankin, C.C. Rozier, Sigbjoryn Olsen Sonnesyn, Teresa Webber, Lauren Whitnah,
Church history --- Church music --- Civilization, Medieval --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- Cantors (Church music) --- Chantres --- Eglise --- Musique d'église --- Civilisation médiévale --- Histoire --- Musique d'église --- Civilisation médiévale --- Church history -- Middle Ages --- Historiography --- Middle Ages --- Catholic Church --- History --- Katholische Kirche --- 500-1500 --- Church musicians --- Historical criticism --- Authorship --- Criticism --- Katolikus Egyház --- RCC --- Katoličeskaj Cerkovʹ --- Katoličke Cerkve --- Katolska Cyrkej --- Katolske Kirke --- Ecclesia Catholica --- Igreja Católica --- Römisch-Katholische Kirche --- Katholikē Ekklēsia --- Roman Catholic Church --- Eglise Catholique --- Eglise Catholique Romaine --- Chiesa Cattolica --- Katholieke Kerk --- Iglesia Católica --- Katolické Církve --- Kościoł Katolicki --- Katoličke Crkve --- Eglise catholique romaine --- Chiesa cattolica romana --- Roman catholic Church --- Eglise catholique --- Römische Kirche --- Kirche --- Katholizismus --- Unierte Ostkirchen --- Medieval Period --- Christian church history --- History of Europe --- anno 500-1499 --- Cantors. --- Catholic Church. --- Christianity. --- Church History. --- Church music. --- Divine Office. --- Historiography. --- Liturgy. --- Medieval Europe. --- Medieval Latin West. --- Middle Ages. --- Necrologies. --- Prayer. --- Religion. --- Ritual Remembrance. --- Sacred song. --- Saint.
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This collection makes a new, profound and far-reaching intervention into the rich yet little-explored terrain between Latin scholastic theory and vernacular literature. Written by a multidisciplinary team of leading international authors, the chapters honour and advance Alastair Minnis's field-defining scholarship. A wealth of expert essays refract the nuances of theory through the medium of authoritative Latin and vernacular medieval texts, providing fresh interpretative treatment to known canonical works while also bringing unknown materials to light.
Criticism, Medieval. --- Latin literature, Medieval and modern --- Literature, Medieval --- History and criticism --- Theory, etc. --- Criticism, Medieval
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