Listing 1 - 10 of 21 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Choose an application
Choose an application
Iconography --- Art --- Drawing --- Painting --- art [discipline] --- drawing [image-making] --- painting [image-making] --- kunst over kunst --- Immendorff, Jörg --- Hogarth, William --- anno 1900-1999 --- anno 2000-2099 --- Germany
Choose an application
Art styles --- Iconography --- Art --- Drawing --- Painting --- drawing [image-making] --- painting [image-making] --- watercolors [paintings] --- gouaches [paintings] --- Neo-Impressionist --- pencils [drawing and writing equipment] --- Immendorff, Jörg --- Ibsen, Henrik --- anno 1800-1999 --- anno 1800-1899 --- Germany
Choose an application
Choose an application
Choose an application
"Next to Wilhelm Lehmbruck, Auguste Rodin was among the sculptors that Joseph Beuys, up to his death in 1986, most highly prized. Beuys became aware of the great sculptor as early as 1950 when he read the monograph by Rainer Maria Rilke on Rodin's work, which provided him with crucial aesthetic impulses. Beuys' early drawings show thematic and conceptual connections to Rodin's watercolors and drawings. For instance, both artists refer back to ancient mythology, e.g., in their female figures, which they paint on paper in coats of glaze. But also the lines of tradition that Auguste Rodin passed on by way of Wilhelm Lehmbruck were taken up by Beuys, such as his interest in the artistic possibilities of the torso." "The complex relation to the work of Auguste Rodin can be followed in the book's comprehensive section showing works by Rodin, Lehmbruck and Beuys."--Jacket.
Beuys, Joseph --- Beuys, Joseph, --- Lehmbruck, Wilhelm, --- Rodin, Auguste, --- Criticism and interpretation. --- Influence --- Influence.
Choose an application
Biology --- Art --- anno 1800-1999
Listing 1 - 10 of 21 | << page >> |
Sort by
|