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panel makers --- tafereelmakersmerk --- Bout, Melchior de --- Kalf, Willem --- anno 1600-1699

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Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use.This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works.

Painting --- painting [image-making] --- patronage --- Bellegambe, Jean I --- Bellegambe, Jean --- Bellegambe, Jean, --- Painting, Flemish --- Criticism and interpretation. --- Peinture de la Renaissance --- Art - Commande --- Mécénat

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Painting, Flemish --- Peinture flamande --- Gossaert, Jan, --- briefwisseling --- Gossaert, Jan --- Archiefstukken. --- Documenten. --- Schilderijen. --- Bourgondische Nederlanden. --- Zuidelijke Nederlanden. --- Criticism and interpretation --- Sources --- Art patronage --- Europe --- History --- 15th century --- Painters --- Flanders (Belgium) --- Biography --- Painting [Flemish ] --- 16th century --- briefwisseling. --- Gossaert, Jan. --- verhalen en sprookjes. --- Gent.

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For the catalogue of the 1965 monographic exhibition in Rotterdam and Bruges on Jan Gossart (ca. 1472-1532) a compilation was made of 68 documentary references pertaining to the artists life and works. Now, forty-five years later, there has been a reassessment of Gossart and his oeuvre which has resulted in a new catalogue raisonné, Man, Myth, and Sensual Pleasures: Jan Gossarts Renaissance.


The present text, Jan Gossart: The Documentary Evidence accompanies this volume. This tome covers more than 130 documents, including inventories, accounts, biographies, descriptions and other records about Gossarts life and works, up until the mid-18th century. These mainly archival records have been re-examined and transcribed anew, and subsequently discovered documents have been added. Each transcription is accompanied by a short description and comment as well as published references. The book includes photographs of original records. Additionally, two of Gossarts works for which most of our knowledge is based on documentary evidence are discussed: the so-called Salamanca Triptych and the famous, now lost, Middelburg Altarpiece.

painters [artists] --- Gossaert, Jan --- anno 1400-1499 --- anno 1500-1599

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Painting --- Suermondt-Ludwig-Museum [Aachen]