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Lettering the Self argues that letters in medieval and early-modern France reveal the contours of the pre-modern self. Letters in this period were complicated compositions which, in addition to their administrative and artistic functions, represented the self in relation to its various others: social superiors and subordinates; friends and lovers; teachers and students; allies and adversaries; patrons and supplicants. These relationships were expressed in the content and form of letters: the rule-bound medieval discipline of letter writing structured the expression of interpersonal relationships in exacting ways, and writers navigated its rules to express contradictory and even illicit relations.
Each chapter focuses on a particular epistolary exchange in its intellectual and cultural context, from Baudri of Bourgueil and Constance of Angers, through Heloise and Abelard, Christine de Pizan's participation in the querelle du Roman de la rose, Marguerite de Navarre and Guillaume Briçonnet, to Michel de Montaigne and Étienne de La Boétie, emphasizing the importance of letter-writing in pre-modern French culture and tracing a selective yet significant history of the letter, contributing to our understanding of the development of the epistolary genre, and the pre-modern self.

KATHERINE KONG is an Assistant Professor of French at the University of Tennessee, Knoxville.

French letters --- Latin letters, Medieval and modern --- Self in literature. --- History and criticism. --- French culture. --- French literature. --- Katherine Kong. --- early modern France. --- early modern literature. --- epistolary culture. --- letter writing. --- literary history. --- medieval France. --- medieval literature. --- pre-modern self.

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This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs.

French literature --- History and criticism. --- Occitan literature --- Occitan language --- Gender identity in literature. --- Voice in literature. --- Gender --- History.