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Arbitrage (Droit international privé) --- Arbitrage commercial international --- Arbitrage commercial international -- Droit et législation --- Arbitrage international de droit privé --- Arbitrage international privé --- Arbitration and award [International ] --- Choice of law --- Commercial arbitration [International ] --- Comparative law --- Conflict of laws --- Conflict of laws--Civil law --- Conflit des lois --- Conflits de lois --- Conflits de lois dans l'espace --- DIP --- Droit comparé --- Droit international privé --- Droit international privé -- Arbitrage --- Droit international privé--Droit civil --- Droit privé international --- Intermunicipal law --- Internationaal privaatrecht --- Internationaal scheidsgerecht --- Internationaal scheidsgerecht -- Recht en wetgeving --- International arbitration and award --- International commercial arbitration --- International commercial arbitration -- Law and legislation --- International law [Private ] --- International private law --- Juridiction arbitrale internationale --- Private international law --- Rechtsvergelijking --- Scheidsgerecht [Internationaal ] --- Arbitration and award --- Arbitration and award, International --- Commercial arbitration, International --- International law, Private --- Law --- Legal polycentricity --- Comparative jurisprudence --- Comparative legislation --- Jurisprudence, Comparative --- Law, Comparative --- Legislation, Comparative --- Law and legislation --- Civil law --- Arbitration and award, International. --- Comparative law. --- Conflict of laws. --- Arbitrage (Droit international privé) --- Droit comparé --- Droit international privé

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"In the early 1140s, the Bavarian princess Bertha von Sulzbach arrived in Constantinople to marry the Byzantine emperor Manuel Komnenos. Wanting to learn more about her new homeland, the future empress Eirene commissioned the grammarian Ioannes Tzetzes to compose a version of the Iliad as an introduction to Greek literature and culture. He drafted a lengthy dodecasyllable poem in twenty-four books, reflecting the divisions of the Iliad, that combined summaries of the events of the siege of Troy with allegorical interpretations. To make the Iliad relevant to his Christian audience, Tzetzes reinterpreted the pagan gods from various allegorical perspectives. As historical allegory (or euhemerism), the gods are simply ancient kings erroneously deified by the pagan poet; as astrological allegory, they become planets whose position and movement affect human life; as moral allegory Athena represents wisdom, Aphrodite desire. As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, the work is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it must also be seen as part of the millennia-long and increasingly global tradition of Homeric adaptation."--Jacket. Allegorische bewerking van Homerus' Ilias, met de bedoeling de oude Griekse beschaving uit te leggen aan Byzantijnse orthodoxen.

Allegories. --- Epic poetry, Greek --- Epic poetry, Greek. --- History and criticism. --- Homer. --- Homer --- Tzetzes, John, --- Criticism and interpretation. --- Iliad (Homer). --- Allegories --- History and criticism --- Criticism and interpretation --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- Epic poetry, Greek - History and criticism --- Homer - Iliad --- Homer - Criticism and interpretation