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Iconography --- Art --- Sculpture --- Photography --- Film --- installations [visual works] --- photography [process] --- video art --- sculpting --- reality --- kunstsociologie --- Starling, Simon --- Philipsz, Susan --- Vo, Danh --- Leonard, Zoe --- Hein, Jeppe --- Deller, Jeremy --- Elmgreen, Michael --- Dragset, Ingar --- Auder, Michel --- Buckingham, Matthew --- Gonzalez-Torres, Felix --- Grzeszykowska, Aneta --- Jakobsen, Henrik Plenge --- Lislegaard, Ann --- Metinides, Enrique --- Nelson, Mike --- Olesen, Henrik --- Raad, Walid --- Tandberg, Vibeke --- Villesen, Gitte --- Hausswolff, von, Annika --- Yang Fudong --- Jonas, Joan --- Fischli, Peter --- Gaskell, Anna --- Graham, Rodney --- Sala, Anri --- Taylor-Wood, Sam --- Weiss, David --- Tomaselli, Fred --- Burden, Chris --- Floyer, Ceal --- Hammons, David --- Gordon, Douglas --- Koester, Joachim
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Ader, Bas Jan ; Althamer, Pawel ; Zmijewski, Artur ; Auder, Michel ; Buckingham, Matthew ; Koester, Joachim ; Burden, Chris ; Deller, Jeremy ; Elmgreen, Michael & Dragset, Ingar ; Fischli, Peter & Weiss, David ; Floyer, Ceal ; Fudong, Yang ; Gaskell, Anna ; Gmelin, Felix ; Gonzalez-Torres, Felix ; Gordon, Douglas ; Graham, Rodney ; Grzeszykowska, Aneta ; Hammons, David ; von Hausswolff, Annika ; Hein, Jeppe ; Jakobsen, Henrik Plenge ; Jonas, Joan ; Leonard, Zoe ; Lislegaard, Ann ; Metinides, Enrique ; Nelson, Mike ; Olesen, Henrik & Hopf, Judith ; Philipsz, Susan ; Raad, Walid ; Sala, Anri ; Starling, Simon ; Tandberg, Vibeke ; Taylor-Wood, Sam ; Tomaselli, Fred ; Villesen, Gitte ; Vo, Danh
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Art --- art [discipline] --- history [discipline] --- art theory --- philosophy of art
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Arts, Modern --- Dreyer, Carl Theodor, --- Influence --- Exhibitions.
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Tenant à la fois du documentaire et de la fiction, le travail de Joachim Koester (né en 1962 à Copenhague, vit et travaille à Copenhague et New York) revisite et réactive certaines formes du passé tout en s'attachant aux questions de la conscience et de l'altération des sens. L'artiste développe un principe récurrent de montage de l'image pour s'emparer d'une mémoire collective et mener une exploration à caractère aussi bien géographique que mental. Dans cette enquête permanente sur l'épreuve du temps et de l'effacement, Joachim Koester se nourrit de la dualité entre rapport scientifique au réel et expérience sensible. Ainsi, les lieux chargés d'histoire puis désertés, vers lesquels il se tourne, accomplissent souvent, dans leur représentation photographique ou filmique, cette abolition volontaire des frontières entre approche conceptuelle et empirisme.
Koester, Joachim --- Installations (art) --- Koester, Joachim, --- conceptual art-kunstenaars --- conceptueel --- conceptual artists --- Conceptual
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Art --- art [discipline] --- space [composition concept] --- place [distinct area] --- Neto, Ernesto --- Prieto, Wilfredo --- Antin, Eleanor --- Cardiff, Janet --- Miller, George Bures --- Burr, Tom --- McCall, Anthony --- Brandenburg, von, Ulla --- Hubbard, Teresa Lynn --- Birchler, Alexander --- Lawler, Louise --- Alÿs, Francis --- Becher, Bernd und Hilla --- Floyer, Ceal --- Sandback, Frederick Laue --- Wojnarowicz, David --- Matta-Clark, Gordon
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What is the role of aesthetic processes in the drawing of the boundaries between nature and culture, humans and things, the animate and inanimate? Structured around the aesthetic processes and effects of animation and mummification, Animism—a companion publication to the long-term exhibition of the same title, which premiered at Extra City Kunsthal Antwerpen in January 2010—brings together artistic and theoretical perspectives that reflect on the boundary between subjects and objects, and the modern anxiety that accompanies the relation between “persons” and “things.” With works by Agency, Art & Language, Christian W. Braune & Otto Fischer, Marcel Broodthaers, Paul Chan, Tony Conrad, Didier Demorcy, Walt Disney, Lili Dujourie, Jimmie Durham, Eric Duvivier, Harun Farocki, León Ferrari, Christopher Glembotzky, Victor Grippo, Brion Gysin, Luis Jacob, Ken Jacobs, Darius James, Joachim Koester, Zacharias Kunuk, Louise Lawler, Len Lye, Étienne-Jules Marey, Daria Martin, Angela Melitopoulos & Maurizio Lazzarato, Wesley Meuris, Henri Michaux, Santu Mofokeng, Vincent Monnikendam, Tom Nicholson, Otobong Nkanga, Reto Pulfer, Félix-Louis Regnault, Józef Robakowski, Natascha Sadr Haghighian, Paul Sharits, Yutaka Sone, Jan Švankmajer, David G. Tretiakoff, Rosemarie Trockel, Anne-Mie Van Kerckhoven, Dziga Vertov, Klaus Weber, Apichatpong Weerasethakul
Art --- art [discipline] --- animism --- kunst en wetenschap --- Marker, Chris --- Weerasethakul, Achichatpong --- Kerckhoven, Van, Anne-Mie --- Broodthaers, Marcel --- Michaux, Henri --- Švankmajer, Jan --- Richter, Hans --- Chan, Paul --- Gill, Simryn --- Resnais, Alain --- Lutz & Guggisberg --- Alexandrov, Grigory --- Avikainen, Adam --- Conrad, Tony --- Demorcy, Didier --- Duvivier, Eric --- Ferrari, León --- Manders, Mark --- Green, Walon --- Gysin, Brion --- Jacob, Luis --- Jacobs, Ken --- James, Darius --- Kunuk, Zacharias --- Disney, Walt --- Martin, Daria --- Melitopoulos, Angela --- Monnikendam, Vincent --- Nicholson, Tom --- Nkanga, Otobong --- Pulfer, Reto --- Regnault, Félix-Louis --- Sadr Haghighian, Natascha --- Sharits, Paul --- Tretiakoff, David G. --- Mofokeng, Santu --- Weber, Klaus --- Dujourie, Lili --- Durham, Jimmie --- Vertov, Dziga --- Lawler, Louise --- Trockel, Rosemarie --- Grippo, Victor --- Lye, Len --- Robakowskiego, Józefa --- Marey, Étienne-Jules --- Meuris, Wesley --- Farocki, Harun --- Sone, Yutaka --- Edison, Thomas A. --- Koester, Joachim --- Art & Language --- Agence / Agency / Agentschap --- anno 1900-1999
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