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"In Framing Attention, Lutz Koepnick explores different concepts of the window - in both a literal and a figurative sense - as manifested in various visual forms in German culture from the nineteenth century to the present. He offers a new interpretation of how evolving ways of seeing have characterized and defined modernity." "Koepnick examines the role and representation of window frames in modern German culture - in painting, photography, architecture, and literature, on the stage and in public transportation systems, on the film screen and on television. He presents such frames as interfaces that negotiate competing visions of past and present, body and community, attentiveness and distraction. From Adolph Menzel's window paintings of the 1840s to Nam June Paik's experiments with television screens, from Richard Wagner's retooling of the proscenium stage to Adolf Hitler's use of a window as a means of political self-promotion, Framing Attention offers a theoretically incisive understanding of how windows shape and reframe the way we see the world around us and our place within it."--Jacket

Arts and society --- Arts, German --- Windows in art. --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- History --- Social aspects

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Bay, Michael, --- Criticism and interpretation.

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"The first overview of resonance/vibration - covering the field thematically, and written by one of the leading figures in sound studies and sound art"--

Resonance --- Sound (Philosophy) --- Sound art --- Video installations (Art) --- Voice (Philosophy) --- Philosophy. --- History and criticism. --- Philosophy and aesthetics. --- Ragnar Kjartansson.

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"Berlin School Glossary is the first major anthology to mark the increasing international importance of a group of contemporary German and Austrian filmmakers initially known as the Berlin School: Christian Petzold, Thomas Arslan, Christoph Hochhäusler, Jessica Hausner, and others. The study elaborates on the innovative strategies and formal techniques that distinguish these films, specifically questions of movement, space, spectatorship, representation, desire, location, and narrative. Abandoning the usual format of essay-length analyses of individual films and directors, the volume is organized as an actual glossary with entries such as bad sex, cars, the cut, endings, familiar places, forests, ghosts, hotels, interiority, landscapes, siblings, surveillance, swimming pools, and wind. This unique format combined with an informative introduction will be essential to scholars and fans of the German New Wave."--P. [4] of cover.

Music, Dance, Drama & Film --- Film --- New wave films --- Nouvelle vague (Cinéma) --- History and criticism --- Histoire et critique --- History and criticism. --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures

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Social sciences (general)