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The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renown Renaissance artists (such as Botticelli, Leonardo or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology and magic.The Neo-Platonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for their lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work, but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians - both those concerned with the history of their own discipline and also those whose research is on the art and culture of the Italian Renaissance itself - with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology.The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.

Art, Renaissance --- Art and philosophy. --- Neoplatonism. --- Historiography. --- Art --- History as a science --- iconology --- Neo-Platonism --- anno 1400-1499 --- anno 1500-1599 --- Alexandrian school --- Church history --- Hellenism --- Philosophy --- Philosophy, Ancient --- Platonists --- Theosophy --- Philosophy and art --- Renaissance art --- historiografie van de kunstgeschiedenis

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Kunst. --- Op-art. --- Optische Täuschung. --- Geschichte 1520-1970. --- Optics. Quantum optics --- Art styles --- optical illusion --- Op art --- anno 1500-1799 --- anno 1800-1999

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Bilder des Geldes strömen täglich durch die diversen Medienkanäle - sei es im Print- oder Onlinebereich, in Film-, Fernseh- oder Videoproduktionen. Aufgrund der zunehmenden Immaterialität und Unsichtbarkeit des Geldes sind sie jedoch weniger schlichte Abbildungen, sondern vielmehr Produzenten gesellschaftlicher Vorstellungen von Geld. Die Beiträge dieses Bandes zeigen in ihrer Auseinandersetzung mit Gelddarstellungen, wie sehr letztere auf kulturelle Kontexte geradezu "angewiesen" sind und inwiefern dadurch eine semantische Aufladung entsteht, die Fragen medienwissenschaftlicher, aber auch sozialer, ökonomischer und genderpolitischer Dimensionen nach sich zieht.

Theory --- Theorie --- Society --- Krise --- Gesellschaft --- Finanz --- Wirtschaft --- Film --- Economy --- Crisis --- Analysis --- Analyse --- Ökonomie --- Finance