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A recognised classic of 19th century literature, 'The Awakening' caused a scandal on first publication for its powerful portrayal of one woman's fight for independence from the stultifying norms of wifedom and motherhood.
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Kate Chopin was one of the most individual and adventurous of nineteenth-century American writers, whose fiction explored new and often startling territory. When her most famous story, The Awakening, was first published in 1899, it stunned readers with its frank portrayal of the inner word of Edna Pontellier, and its daring criticisms of the limits of marriage and motherhood. The subtle beauty of her writing was contrasted with her unwomanly and sordid subject-matter: Edna's rejection of her domestic role, and her passionate quest for spiritual, sexual, and artistic freedom. From her first stories, Chopin was interested in independent characters who challenged convention. This selection, freshly edited from the first printing of each text, enables readers to follow her unfolding career as she experimented with a broad range of writing, from tales for children to decadent fin-de siecle sketches. The Awakening is set alongside thirty-two short stories, illustrating the spectrumof the fiction from her first published stories to her 1898 secret masterpiece, "The Storm."
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Edith Wharton's "The House of Mirth" (1905) is a sharp and satirical, but also sensitive and tragic analysis of a young, single woman trying to find her place in a materialistic and unforgiving society. "The House of Mirth" offers a fascinating insight into the culture of the time and, as suggested by the success of recent film adaptations, it is also an enduring tale of love, ambition and social pressures still relevant today. Including a selection of illustrations from the original magazine publication, which offers a unique insight to what the contemporary reader would have seen, this volume also provides: an accessible introduction to the text and contexts of "The House of Mirth"; a critical history, surveying the many interpretations of the text from publication to the present; a selection of new critical essays on the "The House of Mirth", by Edie Thornton, Katherine Joslin, Janet Beer, Elizabeth Nolan, Kathy Fedorko and Pamela Knights, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section; cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism; and, suggestions for further reading. Part of the "Routledge Guides to Literature" series, this volume is essential reading for all those beginning detailed study of "The House of Mirth" and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Wharton's text.
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