Listing 1 - 10 of 14 | << page >> |
Sort by
|
Choose an application
Regional documentation --- Vietnam --- Viêt-nam --- Vietnam ; reisgidsen --- Vietnam ; sociaaleconomische beschrijvingen --- $?$94/03 --- (597) --- 3 --- #A9310A --- 813 Methodologie --- 815 Geschiedenis --- 821.1 Volkenrecht --- 826 Imperialisme, Kolonialisme --- 830 Economie --- 838 Duurzame Ontwikkeling --- 842 Media --- 844.1 Minderheden --- 845 Religie --- 860 (Vredes)cultuur --- 883.3 Zuidoost-Azië --- Vietnam. --- Viêt-nam --- Betʻŭnam --- Biet Nam --- Bietnam --- Biyetnan --- Chính phủ nước Cộng hòa xã hội chủ nghĩa Việt Nam --- Cộng hòa xã hội chủ nghĩa Việt Nam --- Fītnām --- Fīyatnām --- Fiyitnām --- I︠U︡zhnyĭ Vʹetnam --- National Republic of Vietnam --- Nước Cộng hòa xã hội chủ nghĩa Việt Nam --- Petʻŭnam --- Republica Socialista de Vietnam --- Rèpublica socialista du Viêt Nam --- République socialiste du Vietnam --- RSV --- RSVN --- S.R.V. --- Satsyi︠a︡listychnai︠a︡ Rėspublika V'etnam --- Socialist Republic of Viet Nam --- Socialist Republic of Vietnam --- Sosialistiese Republiek Viëtnam --- Sot︠s︡ialisticheska republika Vietnam --- Sot︠s︡ialisticheskai︠a︡ Respublika Vʹetnam --- SRV --- SRVN --- Vʹet-Nam --- Vʹetnam --- Viet-Nam --- Vijetnam --- Vītnām --- Vīyitnām --- Vjetnamio --- Vyetnam --- Vyetnam Sosialist Respublikası --- Wietnam --- Yüeh-nan --- Сацыялістычная Рэспубліка В'етнам --- Социалистическа република Виетнам --- Виетнам --- В'етнам --- فيتنام --- Vietnam (Democratic Republic) --- Vietnam (Republic)
Choose an application
Cambodja --- Regional documentation --- Cambodia --- Cambodja.
Choose an application
Vietnam --- Economic conditions --- Rural conditions. --- Social conditions
Choose an application
Geschiedenis en politiek - samenleving - economie - cultuur - natuur en milieu
Cambodja --- Regional documentation --- Cambodia --- Cambodja ; reisgidsen --- #A0409A --- 282 Landbeschrijvingen (sociaal-economisch-cultureel) --- land- en volkenkunde --- 915.96 --- reisgidsen --- Cambodja 994 --- Sociale aardrijkskunde --- Economische aardrijkskunde --- Politiek --- Geschiedenis --- Toerisme --- Azië --- Nederland --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Film --- Literatuur --- 984 --- geografie Azië --- géographie Asie --- Cambodja.
Choose an application
Are the issues of civil society, “good governance”, and the role of NGOs in Vietnam part of a discursive discourse that is linked to a growing development industry in which development studies and economics dominate? Kleinen questions these issues based upon longitudinal research in Vietnam since the early 1990s. In this study, an effort is made to explain the concrete interactions between authorities of the Vietnamese one-party state and its citizens by introducing an attitude of participants to conceal their real intentions with the intent to disguise their actions in order to obtain benefits for their own. Using the concept of mimicry the author tries to grasp what it means to live in a society where political and economic life is dominated by elite groups and were social change is coming from different directions. Two case studies are presented here: one in which local stakeholders of home stay tourism achieve their goals to develop an acceptable form of co-habitation with ethnic minorities without questioning the state. Another case study focuses upon the rapid urbanization of the periphery of Hanoi where land grabbing and private economic gains of outsiders are at loggerheads with local experiences and perceptions of state-village relationships. The question remains what it means for Vietnam's modernization and the prospects of a civil society.
Civil society --- One-party systems --- Vietnam --- Social change --- Economic policy --- Politics and government --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Single-party systems --- Political parties --- Social contract --- Betʻŭnam --- Biet Nam --- Bietnam --- Biyetnan --- Chính phủ nước Cộng hòa xã hội chủ nghĩa Việt Nam --- Cộng hòa xã hội chủ nghĩa Việt Nam --- Fītnām --- Fīyatnām --- Fiyitnām --- I︠U︡zhnyĭ Vʹetnam --- National Republic of Vietnam --- Nước Cộng hòa xã hội chủ nghĩa Việt Nam --- Petʻŭnam --- Republica Socialista de Vietnam --- Rèpublica socialista du Viêt Nam --- République socialiste du Vietnam --- RSV --- RSVN --- S.R.V. --- Satsyi︠a︡listychnai︠a︡ Rėspublika V'etnam --- Socialist Republic of Viet Nam --- Socialist Republic of Vietnam --- Sosialistiese Republiek Viëtnam --- Sot︠s︡ialisticheska republika Vietnam --- Sot︠s︡ialisticheskai︠a︡ Respublika Vʹetnam --- SRV --- SRVN --- Vʹet-Nam --- Vʹetnam --- Viet-Nam --- Vijetnam --- Vītnām --- Vīyitnām --- Vjetnamio --- Vyetnam --- Vyetnam Sosialist Respublikası --- Wietnam --- Yüeh-nan --- Сацыялістычная Рэспубліка В'етнам --- Социалистическа република Виетнам --- Виетнам --- В'етнам --- فيتنام --- Vietnam (Democratic Republic) --- Vietnam (Republic) --- politics --- Civil Society --- development --- rights --- ngo --- media --- freedoms --- Press --- governance
Choose an application
Choose an application
Choose an application
Choose an application
Netherlands --- Vietnam --- Foreign relations --- History.
Choose an application
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia’s most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker’s unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.” They consider how Panh represents Cambodia’s traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia’s transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh’s attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director’s lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia’s cinematic visionaries.
Listing 1 - 10 of 14 | << page >> |
Sort by
|