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A series of movies that share images, characters, settings, plots, or themes, film cycles have been an industrial strategy since the beginning of cinema. While some have viewed them as "subgenres," mini-genres, or nascent film genres, Amanda Ann Klein argues that film cycles are an entity in their own right and a subject worthy of their own study. She posits that film cycles retain the marks of their historical, economic, and generic contexts and therefore can reveal much about the state of contemporary politics, prevalent social ideologies, aesthetic trends, popular desires, and anxieties. American Film Cycles presents a series of case studies of successful film cycles, including the melodramatic gangster films of the 1920s, the 1930s Dead End Kids cycle, the 1950s juvenile delinquent teenpic cycle, and the 1990s ghetto action cycle. Klein situates these films in several historical trajectories—the Progressive movement of the 1910s and 1920s, the beginnings of America's involvement in World War II, the "birth" of the teenager in the 1950s, and the drug and gangbanger crises of the early 1990s. She shows how filmmakers, audiences, film reviewers, advertisements, and cultural discourses interact with and have an impact on the film texts. Her findings illustrate the utility of the film cycle in broadening our understanding of established film genres, articulating and building upon beliefs about contemporary social problems, shaping and disseminating deviant subcultures, and exploiting and reflecting upon racial and political upheaval.
Film genres --- Motion pictures --- Social aspects --- Genre films --- Genres, Film --- Motion picture genres --- Plots, themes, etc.
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Drawing on interviews with industry workers from MTV programs such as The Real World and Teen Mom, Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s.
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A new edition that brings the ways we watch and think about television up to the presentWe all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it "good" or "bad." Rather, criticism uses the close examination of a television program to explore that program's cultural significance, creative strategies, and its place in a broader social context.How to Watch Television, Second Edition brings together forty original essays--more than half of which are new to this edition--from today's leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls to the function of changing political atmospheres in Roseanne, these essays model how to practice media criticism in accessible language, providing critical insights through analysis--suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast, streaming, and cable. Addressing shows from TV's earliest days to contemporary online transformations of the medium, How to Watch Television, Second Edition is designed to engender classroom discussion among television critics of all backgrounds.
Art --- Television programs --- Political aspects --- Social aspects --- United States. --- Adaptation. --- Advertising. --- Aesthetics. --- Ancillary. --- Archives. --- Cable. --- Cinematography. --- Citizenship. --- Class. --- Comedy. --- Comics. --- Cooking. --- Crime. --- Criticism. --- Cultural forum. --- Culture. --- Debate. --- Design. --- Development. --- Disabilities. --- Distribution. --- Drama. --- Editing. --- Educational. --- Entertainment. --- Ethnography. --- Europe. --- Fans. --- Fashion. --- Feminism. --- Flow. --- Football. --- Fox. --- Franchises. --- Gender. --- Historiography. --- Identity. --- Independent. --- Industry. --- Intersectionality. --- Licensing. --- Marketing. --- Masculinity. --- Meaning. --- Melodrama. --- Muslims. --- Narrative. --- Nation. --- Network. --- News. --- Performativity. --- Politics. --- Prestige. --- Production. --- Programming. --- Promotion. --- Quality. --- Queer. --- Race. --- Reality. --- Regulation. --- Representation. --- Sequels. --- Sexuality. --- Showrunner. --- Sitcom. --- Social media. --- Spinoff. --- Sports. --- Stereotypes. --- Streaming. --- Style. --- Talk. --- Taste. --- Technology. --- Teen. --- Terrorism. --- Text. --- Texts. --- Transmedia. --- Travel. --- Whiteness. --- Writing. --- Youth.
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