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Addressing the histories and speculating on the futures of radical design and art education, Decolonising Design Education looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features a selection of historical case studies, conversations and in-depth reports about education practices in formerly colonized regions, shared by 10 art and design collectives. The publication is part of the Schools of Departure series, jointly published with a digital atlas mapping experiments in art and design education beyond the Bauhaus. By studying these phenomena as manifestations of "traveling concepts," which keep a wide variety of educational approaches in a process of constant exchange and motion, the publication explores routes of appropriation that move between different geographies, times and cultures.
Design --- Enseignement artistique --- Fonds d'archives --- Colonialisme
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The New Designer: Design as a Profession deals with the emergence of the profession of artist and designer after the First World War and its development in the context of industrial production. The volume contains articles on teaching models that were initially tested at schools such as the Design Laboratory, New York, the Škola umeleckých remesiel (ŠUR), Bratislava, the Hochschule für Gestaltung (HfG) Ulm and the Escola Superior de Desenho Industrial (ESDI), Rio de Janeiro. These texts are accompanied by essays and discussions on programs, practices and the self-perception of design education. The book is part of the "Schools of Departure" series, which also includes a digital atlas that lists experimental approaches to art and design education beyond the Bauhaus.
Mode de production --- Capitalisme --- Design --- Enseignement artistique
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