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The 'Lure of the biographical' focuses on the relationship between the work and the personal image of artists. The book explores how artists use their (biographic) image in order to make a name for themselves, and how other parties, such as critics, art historians, and art dealers, make connections between personal lives and bodies of work. Through detailed case studies of the image and work of Auguste Rodin, Georgia O'Keeffe, and Francis Bacon, the book demonstrates which mechanisms and strategies are at play in creating the artist's image, and, in addition, proposes a model for research into questions of (self)representation.

7.01 --- kunstenaarsbiografie --- Kunst ; theorie, filosofie, esthetica --- zelfportret --- portret --- Bacon Francis --- Rodin Auguste --- O'Keeffe Georgia --- kunstkritiek --- biografie --- biografieën --- kunsttheorie --- kunst --- 7.041 --- Biografieën ; (zelf)portretten ; imago beeldvorming van kunstenaars --- Kunstenaarsbiografieën --- Iconografie ; de mens, portretten --- artists [visual artists] --- Art --- Bacon, Francis --- Rodin, Auguste --- O'Keeffe, Georgia --- anno 1800-1999 --- Rodin, Auguste, --- O'Keeffe, Georgia, --- Bacon, Francis, --- Autobiography in art --- Artists --- Art, Modern --- Case studies --- Biography --- Attitudes --- Public opinion --- Social networks --- Kunst --- kunstenaars --- Self-presentation in art. --- Biography in art. --- Artistes --- Présentation de soi dans l'art. --- Biographie dans l'art. --- Biografie. --- Kunst. --- Selbstbildnis. --- Psychology. --- Psychologie. --- Criticism and interpretation. --- Critique et interprétation. --- Biography. --- Self-presentation in art --- Biography in art --- Présentation de soi dans l'art --- Biographie dans l'art --- Rapport du créateur à l'objet créé --- Image --- Esthétique --- Autoportrait --- Biographie --- Psychology --- Psychologie --- Criticism and interpretation --- Artists - Psychology --- Artistes - Psychologie --- Rodin, Auguste, - 1840-1917 - Criticism and interpretation --- O'Keeffe, Georgia, - 1887-1986 - Criticism and interpretation --- Bacon, Francis, - 1909-1992 - Criticism and interpretation --- imago --- Rodin, Auguste, - 1840-1917 --- O'Keeffe, Georgia, - 1887-1986 --- Bacon, Francis, - 1909-1992 --- Attitudes. --- Public opinion. --- Social networks.

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The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.

Artists --- anno 1800-1999 --- anno 2000-2009 --- Artists' studios. --- Artists' studios in art. --- Creation (Literary, artistic, etc.) --- Turner, J. M. W. --- Dean, Tacita, --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Terner, Dzhozef Mallord Uilʹi︠a︡m, --- Tarner, Tzozeph Mallornt Ouilliam, --- Turner, Joseph Mallord William, --- Turner, William, --- Tŭrnŭr, Dzhouzef Mŭlord Uili︠a︡m, --- Tʻou-na, Yüeh-se-fu Ma-lo-te Wei-lien, --- Tʻou-na, --- טרנר, ג׳וזף מאלור ויליאם, --- Ateliers d'artiste --- Création (Arts) --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops

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The aim of Hiding Making - Showing Creation is twofold. In the first instance, we seek to trace the Nachleben of these studio topoi from the nineteenth century to today, in particular focusing on how artists have employed them as strategies for showing certain aspects of their practice (above all those which perpetuate the notions of artistic genius and autonomy), while carefully hiding others from view (routine, failure, craft). Secondly, in order to achieve these goals, we have adopted a method that we feel not only does justice to the richness and diversity of the topic but which, we believe, will add a new dimension to the already abundant and ever growing literature on the artist's studio.

Artists' studios. --- Creation (Literary, artistic, etc.) --- Turner, J. M. W. --- Dean, Tacita,

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Painting --- easel paintings [paintings by form] --- plein-air --- anno 1800-1999 --- France --- Netherlands --- Belgium --- landelijk leven, plattelandsleven --- natuur --- licht --- Les Vingt (1883-1893) --- Museum Boijmans van Beuningen (Rotterdam) --- Mauve, Anton --- 19de eeuw --- 20ste eeuw --- Frankrijk --- Nederland --- België --- landelijk leven, plattelandsleven. --- natuur. --- licht. --- Les Vingt (1883-1893). --- Museum Boijmans van Beuningen (Rotterdam). --- Mauve, Anton. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk. --- Nederland. --- België.

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Conceptual art --- Performance art --- 7.07 --- Byars, James Lee °1932-1997 (°Detroit, Michigan, Verenigde Staten) --- Beeldende kunst ; 2de h. 20ste eeuw ; James Lee Byars --- Conceptuele kunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Byars, James Lee --- Criticism and interpretation. --- Correspondence. --- Travel. --- kunst --- Verenigde Staten --- twintigste eeuw --- concept art --- conceptuele kunst --- performances --- performance --- installaties --- beeldhouwkunst --- Byars James Lee --- 7.071 BYARS --- Art --- correspondence --- sculpture [visual works] --- performance art --- Conceptual --- Byars, James L. --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- Netherlands --- Belgium --- Japan