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Garabedian, Mekhitar

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In her work, Lisa Vlaemminck explores the boundaries of painting, creating an exciting, vibrating and disorienting universe. In her images, she questions very classical phenomena in painting, such as the landscape and the still life, by freezing them behind semi-transparent layers of paint. We catch a glimpse that feels familiar, but soon find that nothing is what it seems. Vlaemminck’s work oscillates between the microscopic and the interstellar, as well as the amorphous spaces in between. Image, material, shape, texture and form mutate into compositional playgrounds floating in a newly created universe where different laws and rules apply. The book “Screensaver Error” is conceived as a symmetrical, folded stack of sheets with images of Lisa’s paintings and collages. At the heart of the book is the sixty-metre long, worm-shaped textile sculpture, which runs like a stream through the book for many pages. Dominique De Groen wrote an electrically charged shimmering poem tailored to the work. The introductory text was written by Simon Delobel. In KIOSK, Lisa Vlaemminck presents a series of new paintings and a sixty-metre long textile sculpture that will occupy the various exhibition spaces. For the design of the fabric, Lisa worked patterns that form a long colour gradient.

75.071 --- kunst --- kunstenaars --- België --- eenentwintigste eeuw --- schilderkunst --- beeldhouwkunst --- textielkunst --- Vlaemminck Lisa --- Beeldende kunst ; België ; 21ste eeuw --- Kunsttheorie ; humor ; ironie ; absurde ; kitch --- Abstracte schilderkunst ; België ; 20ste en 21ste eeuw --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Kunsttheorie ; humor ; ironie ; absurde ; kitsch --- Vlaemminck, Lisa --- oil paintings [visual works] --- painting [image-making] --- mixed media --- installatiekunst

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Arnaud Rogard (b. 1977) is a multifaceted artist: he makes drawings, ceramic work, writes poetry but is also active as a dancer and performer. In each of these media, his work excels in concealment, elimination, slowing down, pausing, abandonment or silencing. The power of Arnaud's drawings (perspectives or isometries) lies mostly in the space he does not draw. Arnaud finds his inspiration in the everyday architecture that surrounds him, room plans lying around in the studio but also in the limited library in his studio at art workshop De Zandberg in Harelbeke, where he has been working since 2001. The book ‘Ik met twee’ focuses on Arnaud's pencil-drawn (self) portraits. They find their strength in the certainty with which each line is applied and the absence of any superfluous detail. This clear line is as much a modest line, some drawings are barely visible, as if they would prefer to remain invisible.Pierre Muylle writes about this in the book, ‘Everything seems to have a standard place. The drawing is only a confirmation of a standard. But here that rock-solid conviction is only in the motif. The execution wavers in doubt and hesitation. A well-aimed imbalance that veers even this sterile portrait with Arnaud's personality.’

Rogard, Arnaud --- Art --- drafting --- self-portraits --- outsider art --- pencil drawings

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India is the homeland of the artist Shilpa Gupta. But the border is her most important theme. Not only because her art is now drawing international attention and is anchored in intermedia. The border also plays a very specific role, because the artist has been studying everyday life at India's border with Bangladesh in a long-term project. As a researcher, she has been investigating the field of interactions, influences, and impacts that comprise life and experience there. Whether it's the structure of space, or simple objects, censorship, laws, and limitations, all is pointedly expressed in Gupta's work. This publication encapsulates all of the work she has created on this subject, documenting life on the border as well Gupta's visionary art. Both are important and awaiting discovery here.

Art --- migration [function] --- boundaries --- Contemporary [style of art] --- maatschappijkritiek --- Gupta, Shilpa --- India --- Bangladesh