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Religious architecture --- architecture [discipline] --- religious art --- Islamic [culture or style] --- religieuze architectuur --- islamitische architectuur --- Istanbul [city]

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These two volumes document the life and work of the British typographer Anthony Froshaug, providing a wealth of information that reinforces his contribution as a deep and charismatic thinker-practitioner. Volume 1 Typography & texts concerns the work of Anthony Froshaug with an introduction by the editor along with Froshaug's work as designer and printer in selected, annotated reproduction, his writings and a catalogue of his work. Volume 2 Documents a life is a sequence of texts and images, with annotations by the editor. It covers the span of Froshaug's life: as a child, as a student of the Central School of Arts & Crafts, as a designer & printer in West Cornwall, as a teacher at the Central School, the Hochschule fur Gestaltung Ulm, the Royal College of Art, Watford School of Art, and elsewhere. This volume is a documentary: consisting of what was recorded and what survives, animated by the spirit of its subject.

Froshaug, Anthony. --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- 766.021 --- 766.071 FROSHAUG --- Froshaug Anthony --- twintigste eeuw --- Groot-Brittannië --- typografie

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Over twenty-five years of engagement, somewhere in the borderlands between journalism and the academy, Robin Kinross has written for magazines and journals, making a case for typography as a matter of fine detail and subtle judgement, whose products concern all of us, every day. This selection of his shorter writings brings his major themes into focus: the unsung virtues of editorial and information design, the fate of Modernism in the twentieth century, the work of dissident and critical Modernist designers, the contributions of emigré designers from Europe in the English-speaking world, the virtues of a socially-oriented design approach. He argues for a design that is of use in the world, and against the cult of design and the delusions of theory. Pieces move from patient exposition, to sharp critique, to warm appreciation. This book presents an unexpected body of writing, which stakes out fresh territory between the purely academic and the merely journalistic. The whole is an unusual and powerful contribution to the subject of typography. (text publisher)

Printing --- Type and type-founding --- Graphic design (Typography) --- Graphic arts --- 766:655.2 --- Aicher, Otl --- Bayer, Herbert --- Berger, John --- Bill, Max --- Crouwel, Wim --- Foster, Norman --- Froshaug, Anthony --- Gill, Eric --- Gray, Nicolete (née Binyon) --- Kinneir, Jock --- Martens, Karel --- Moholy-Nagy, László --- Morison, Stanley --- Neurath, Marie --- Neurath, Otto --- Neue Typographie (New Typography) --- Porstmann, Walter --- Potter, Norman --- Pynor, Rick --- Read, Herbert --- Rietveld, Gerrit --- Schmidt, Joost --- Schmoller, Hans --- Schwitters, Kurt 1887-1948 (°Hannover, Duitsland) --- Spencer, Herbert --- Spiekermann, Erik --- Stiff, Paul --- Tschichold, Jan --- Wright, Edward --- Typographic design --- Design --- Layout (Printing) --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Printing, Practical --- Typography --- History --- Gebruiksgrafiek ; typografie --- 766.22.01 --- Grafische industrie en ontwerp ; schrift ; typografie ; theorie, filosofie, esthetica

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A book of writings from twenty-five years of engagement on the peripheries of both journalism and academic life, and drawn largely from small-circulation and now hard-to-access publications. Persistent themes include: editorial typography, the emergence of graphic design in Britain, emigré designers, Dutch typography, the work of critical modernist designers