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Film --- Keystone Film Company --- United States --- Keystone Film Company. --- 82:791.43 --- #SBIB:309H1313 --- #SBIB:309H040 --- #SBIB:309H525 --- Literatuur en film --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Populaire cultuur algemeen --- Sociologie van de audiovisuele boodschap --- Keystone Film Co. --- Keystone Studios --- 82:791.43 Literatuur en film --- United States of America
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"Hokum! is the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era. Challenging the received wisdom that sound destroyed the slapstick tradition, author Rob King explores the slapstick short's Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood's youth"--Provided by publisher.
Comedy films --- History --- History and criticism. --- Comedy videos --- Motion pictures --- 1920 american comedy. --- 20th century comedians. --- 20th century comedy teams. --- cinematography. --- comedy films. --- comedy movies. --- comic movies. --- depression era film. --- early 20th century cinema. --- early sound era. --- early sound slapstick. --- film and tv. --- film industry. --- film studies. --- history of comedy. --- history of film. --- hokum. --- laurel and hardy. --- media studies. --- popular culture. --- robert benchley. --- silent era slapstick. --- slapstick. --- stage slang comedy. --- three stooges.
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Introduction : restoring slapstick to the historiography of American film / Tom Paulus and Rob King -##Originality and adaptation. The good thieves : on the origins of situation comedy in the British music hall / Bryony Dixon ; D.W. Griffith shapes slapstick / Barry Salt ; Genre parody and comedic burlesque : Keystone's meta-cinematic satires / Simon Joyce ; Both sides of the camera : Roscoe "Fatty" Arbuckle's evolution at Keystone / Joanna E. Rapf ; Mud pies and tears : little Mary's funny side / Anke Brouwers -##Mechanics and modernity. Mack Sennett vs. Henry Ford / Eileen Bowser ; "Uproarious inventions" : the Keystone Film Company, modernity, and the art of the motor / Rob King ; Mechanisms of laughter : the devices of slapstick / Tom Gunning ; Slapstick skyscrapers : an architecture of attractions / Steven Jacobs ; California slapstick revisited / Charles Wolfe -##Bodies and performance. Dancing of fire and water : Charlot and L'esprit nouveau / Amy Sargeant ; Splashes of fun and beauty : Mack Sennett's bathing beauties / Hilde D'Haeyere ; Back to the "slap" : slapstick's hyperbolic gesture and the rhetoric of violence / Muriel Andrin ; The art of imitation : the originality of Charlie Chaplin and other moving-image myths / Jennifer M. Bean.
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"The historiography of silent cinema has long been the leading edge of scholarly innovation in film history. The Oxford Handbook of Silent Cinema brings that scholarship up to date with thirty-four chapters informed by new perspectives in film and media studies and the humanities. Featuring contributions by both established and up-and-coming scholars, the volume is arranged around a series of broad topics: the "invention" of cinema as both technology and medium; the intermedial development of film aesthetics and genres; non-theatrical and non-commercial uses of cinema; the political economy of Hollywood mass culture; film and global modernities; and silent cinema's publics and counter-publics. Unlike other anthologies of this nature, The Oxford Handbook of Silent Cinema is more than just a collection of disparate new work. Taken as a whole, the essays gathered here signal an impulse to rethink silent film history, narrowly conceived, as instead a form of transmedial history attuned to the relations amongst media forms and technologies, artistic traditions and practices, and economic and governmental institutions. The volume takes stock of what the history of silent cinema has been, but it also introduces agendas intended to shape new work for the future"--
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Film --- National characteristics in motion pictures --- Motion pictures --- Nationalism in motion pictures --- Political aspects --- Political aspects. --- Caractère national --- Cinéma et politique --- Nationalisme --- Au cinéma
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Film --- Cinéma --- Industrie cinématographique --- Missions --- Magie --- 1895-1929 --- Subventions --- Aspect politique --- Et le cinéma
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