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Film --- Keystone Film Company --- United States --- Keystone Film Company. --- 82:791.43 --- #SBIB:309H1313 --- #SBIB:309H040 --- #SBIB:309H525 --- Literatuur en film --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Populaire cultuur algemeen --- Sociologie van de audiovisuele boodschap --- Keystone Film Co. --- Keystone Studios --- 82:791.43 Literatuur en film --- United States of America

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Introduction : restoring slapstick to the historiography of American film / Tom Paulus and Rob King -##Originality and adaptation. The good thieves : on the origins of situation comedy in the British music hall / Bryony Dixon ; D.W. Griffith shapes slapstick / Barry Salt ; Genre parody and comedic burlesque : Keystone's meta-cinematic satires / Simon Joyce ; Both sides of the camera : Roscoe "Fatty" Arbuckle's evolution at Keystone / Joanna E. Rapf ; Mud pies and tears : little Mary's funny side / Anke Brouwers -##Mechanics and modernity. Mack Sennett vs. Henry Ford / Eileen Bowser ; "Uproarious inventions" : the Keystone Film Company, modernity, and the art of the motor / Rob King ; Mechanisms of laughter : the devices of slapstick / Tom Gunning ; Slapstick skyscrapers : an architecture of attractions / Steven Jacobs ; California slapstick revisited / Charles Wolfe -##Bodies and performance. Dancing of fire and water : Charlot and L'esprit nouveau / Amy Sargeant ; Splashes of fun and beauty : Mack Sennett's bathing beauties / Hilde D'Haeyere ; Back to the "slap" : slapstick's hyperbolic gesture and the rhetoric of violence / Muriel Andrin ; The art of imitation : the originality of Charlie Chaplin and other moving-image myths / Jennifer M. Bean.

Film --- Comedy films --- History and criticism. --- #SBIB:309H1326 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- History and criticism

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Film --- National characteristics in motion pictures --- Motion pictures --- Nationalism in motion pictures --- Political aspects --- Political aspects. --- Caractère national --- Cinéma et politique --- Nationalisme --- Au cinéma

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It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910's explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

Motion pictures --- Plots, themes, etc. --- History. --- Film --- anno 1910-1919 --- United States --- United States of America