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Charts the development of progressive Christianity’s engagement with modern science, historical criticism, and liberal humanismChristians who have doubts about the existence of God? Who do not believe in the divinity of Jesus? Who reject the accuracy of the Bible? The New Heretics explores the development of progressive Christianity, a movement of Christians who do not reject their identity as Christians, but who believe Christianity must be updated for today’s times and take into consideration modern science, historical criticism, and liberal humanism.Drawing on three years of ethnographic fieldwork in North America, Rebekka King focuses on testimonies of deconversion, collective reading practices, and the ways in which religious beliefs and practices are adapted to fit secular lives. King introduces the concept of “lived secularity” as a category with which to examine the ways in which religiosity often is entangled with and subsumed by secular identities over and against religious ones. This theoretical framework provides insight into the study of religious and cultural hybridity, new emerging groups such as “the nones,” atheism, religious apostasy, and multi-religious identities. The New Heretics pays close attention to the ways that progressive Christians understand themselves vis-à-vis a conservative or fundamentalist Christian “other,” providing context concerning the presumed divide between the religious right and the religious left. King shows that while it might be tempting to think of progressive Christians as atheists, there are religious and moral dimensions to their disbelief. For progressive Christians the act of questioning and rejecting God—alongside other theological tenets—is framed as a moral activity. Ultimately, the book showcases the importance of engaging with the ethics of belief in understanding contemporary Christianity.
Liberalism --- Liberalism (Religion) --- Christianity --- Religious aspects --- Christianity. --- Anthropology of Christianity. --- Anthropology of Religion. --- Apostacy. --- Atheism. --- Baby-Boomer. --- Bible Study. --- Biblical Criticism. --- Biblical Reception. --- Choice. --- Collective Reading. --- Congregational Dynamics. --- Contested Spaces. --- Conviction. --- Creationism. --- Deconversion. --- Disbelief. --- Discourse Analysis. --- Eschatology. --- Ethics of Belief. --- Ethnography of Reading. --- Ethnography. --- Future. --- Gretta Vosper. --- Heresy Trial. --- Heretics. --- Heritage. --- Leadership. --- Lived Secularity. --- Mainline Christianity. --- Membership. --- Middle-Class. --- Nones. --- North American religions. --- Oral History. --- Outliers. --- Popular Theology. --- Progressive Christianity. --- Proximate Other. --- Purification. --- Religious Narratives. --- Rewriting the Bible. --- Secularity and Secularism. --- Simulacrum. --- Sincerity. --- Skepticism. --- Temporal Language. --- Textual Ideologies. --- United Church of Canada.
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"This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi , Terminator , Cloud Atlas , Darjeeling Limited , Hellboy , The Revenant , Religulous , Earth , and The Secret of my Success . Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how similar analysis might be pursued for other films of a similar genre, topic, or theme. Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike"--
Motion pictures --- Religion in motion pictures --- Religious aspects
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