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"An attempt to put an Asian woman on Canada's $100 bill in 2012 unleashed enormous controversy. The racism and xenophobia that answered this symbolic move toward inclusiveness revealed the nation's trumpeted commitment to multiculturalism as a lie. It also showed how multiple minor publics as well as the dominant public responded to the ongoing issue of race in Canada. In this new study, Christine Kim delves into the ways cultural conversations minimize race's relevance even as violent expressions and structural forms of racism continue to occur. Kim turns to literary texts, artistic works, and media debates to highlight the struggles of minor publics with social intimacy. Her insightful engagement with everyday conversations as well as artistic expressions that invoke the figure of the Asian allows Kim to reveal the affective dimensions of racialized publics. It also extends ongoing critical conversations within Asian Canadian and Asian American studies about Orientalism, diasporic memory, racialized citizenship, and migration and human rights"--

HISTORY / Canada / General. --- SOCIAL SCIENCE / Anthropology / Cultural. --- SOCIAL SCIENCE / Ethnic Studies / Asian American Studies. --- Intimacy (Psychology) --- Racism --- Asians --- Asian Americans --- Public opinion --- Orientals --- Ethnology --- Emotions --- Interpersonal relations --- Love --- Social aspects --- Public opinion. --- Canada --- United States --- Race relations. --- Race question

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Cultural Grammars of Nation, Diaspora, and Indigeneity in Canada considers how the terms of critical debate in literary and cultural studies in Canada have shifted with respect to race, nation, and difference. In asking how Indigenous and diasporic interventions have remapped these debates, the contributors argue that a new “cultural grammar” is at work and attempt to sketch out some of the ways it operates. The essays reference pivotal moments in Canadian literary and cultural history and speak to ongoing debates about Canadian nationalism, postcolonalism, migrancy, and transnationalism. Topics covered include the Asian race riots in Vancouver in 1907, the cultural memory of internment and dispersal of Japanese Canadians in the 1940s, the politics of migrant labour and the “domestic labour scheme” in the 1960s, and the trial of Robert Pickton in Vancouver in 2007. The contributors are particularly interested in how diaspora and indigeneity continue to contribute to this critical reconfiguration and in how conversations about diaspora and indigeneity in the Canadian context have themselves been transformed. Cultural Grammars is an attempt to address both the interconnections and the schisms between these multiply fractured critical terms as well as the larger conceptual shifts that have occurred in response to national and postnational arguments.

Native peoples --- Minorities --- Canadian literature (English) --- Ethnic minorities --- Foreign population --- Minority groups --- Persons --- Assimilation (Sociology) --- Discrimination --- Ethnic relations --- Majorities --- Plebiscite --- Race relations --- Segregation --- English literature --- Canadian literature --- Social conditions. --- Indian authors --- History and criticism. --- Minority authors --- Socioeconomic conditions --- Socioeconomic status --- Social history --- Canada --- Indigenous peoples --- Aboriginal peoples --- Aborigines --- Adivasis --- Indigenous populations --- Native races --- Ethnology --- Littérature canadienne de langue anglaise --- Minorités --- Auteurs appartenant à des minorités --- Histoire et critique

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"The only comprehensive book on James Turrell is back in print. This definitive monograph presents James Turrell's diverse and extraordinary work--from his Mendota studio days to his monumental Roden Crater. Turrell began using light as a sculptural medium in 1966, and through his sculptures and architectural interventions he is continually asking us to "go inside and greet the light"--evoking the meditative practices of his Quaker upbringing. A critical figure emerging from Los Angeles's exploding art scene of the 1960s, Turrell draws from aviation, psychology, and astronomy in his art. Through ten chapters that survey his various bodies of work, enhanced by thoughtful essays and an insightful interview with the artist, this monograph explores every aspect of Turrell's oeuvre-from his early geometric projections, prints, and drawings, through his installations exploring sensory deprivation and seemingly unmodulated fields of colored light, to two-dimensional experiments with holograms. It also features an in-depth look at Roden Crater--through models, plans, photographs and drawings--that reveals the power and beauty of his magnum opus and its surrounding landscape near Flagstaff, Arizona. Featuring stunning, specially commissioned photography by Florian Holzherr, this is the authoritative book on the pioneering artist and his landmark work" (Provided by publisher.)

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Collage, American --- Thomas, Mickalene,

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Iconography --- Art --- Architecture --- Sculpture --- art [discipline] --- architecture [discipline] --- color [perceived attribute] --- light art --- sculpting --- Turrell, James --- anno 1900-1999 --- anno 2000-2099 --- United States of America