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Focusing on such metaphors as communion and cannibalism in a wide range of Western literary works, Maggie Kilgour examines the opposition between outside and inside and the strategies of incorporation by which it is transcended. This opposition is basic to literature in that it underlies other polarities such as those between form and content, the literal and metaphorical, source and model. Kilgour demonstrates the usefulness of incorporation as a subsuming metaphor that describes the construction and then the dissolution of opposites or separate identities in a text: the distinction between outside and inside, essentially that of eater and eaten, is both absolute and unreciprocal and yet fades in the process of ingestion--as suggested in the saying "you are what you eat.".Kilgour explores here a fable of identity central to Western thought that represents duality as the result of a fall from a primal symbiotic unity to which men have longed to return. However, while incorporation can be desired as the end of alienation, it can also be feared as a form of regression through which individual identity is lost. Beginning with the works of Homer, Ovid, Augustine, and Dante, Kilgour traces the ambivalent attitude toward incorporation throughout Western literature. She examines the Eucharist as a model for internalization in Renaissance texts, addresses the incorporation of past material in the nineteenth century, and concludes with a discussion of the role of incorporation in cultural theory today.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Internalization in literature --- Ingestion in literature --- Cannibalism in literature --- Languages & Literatures --- Literature - General --- Thematology --- Literary semiotics --- Literature --- Metaphor. --- Cannibalism in literature. --- Eating in literature. --- Lord's Supper in literature. --- Sex in literature. --- Littérature --- Métaphore --- Cannibalisme dans la littérature --- Ingestion dans la littérature --- Eucharistie dans la littérature --- Sexualité dans la littérature --- History and criticism. --- Histoire et critique --- Ingestion in literature. --- Internalization in literature. --- History and criticism --- Metaphor --- Literature - History and criticism.
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Comparative literature --- Fiction --- Thematology --- English literature --- anno 1800-1999 --- Horror tales, English --- Gothic revival (Literature) --- English fiction --- History and criticism. --- 820-3 "17" --- Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- 820-3 "17" Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- History and criticism --- Horror tales [English ] --- Great Britain --- Horror tales, English - History and criticism. --- Gothic revival (Literature) - Great Britain. --- English fiction - History and criticism. --- LITTERATURE D'EPOUVANTE ANGLAISE --- NEO-GOTHIQUE (LITTERATURE) --- GODWIN (WILLIAM) --- RADCLIFFE (ANN) --- HISTOIRE ET CRITIQUE --- GRANDE-BRETAGNE
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Linking cannibalism to issues of difference crucial to contemporary literary criticism and theory, the essays included here cover material from a variety of contexts and historical periods and approach their subjects from a range of critical perspectives. Along with such canonical works as The Odyssey, The Faerie Queene, and Robinson Crusoe, the contributors also discuss lesser known works, including a version of the Victorian melodrama Sweeny Todd, as well as contemporary postcolonial and postmodern novels by Margaret Atwood and Ian Wedde. Taken together, these essays re-theorize the relationship between cannibalism and cultural identity, making cannibalism meaningful within new critical and cultural horizons.Contributors include Mark Buchan, Santiago Colas, Marlene Goldman, Brian Greenspan, Kristen Guest, Minaz Jooma, Robert Viking O'Brien, Geoffrey Sanborn, and Julia M. Wright.
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Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil’s underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil’s underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts. The essays in this volume speak to Vergil’s incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil’s underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil’s underworld from the moment of its publication to the present day.
Voyages to the otherworld in literature --- Aeneid --- Augustine --- Christian --- Ovid --- Pagan --- Romantic --- Rome --- Seneca --- Shelley --- Statius --- Vergil --- Virgil --- classical literature --- death --- literary reception --- poetry --- spirituality --- tradition --- underworld --- Vergilius Maro, P. --- Vergilius Maro, Publius --- Vergilius --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilīĭ, --- Virgilius Maro, P. --- Virgil Maro, P. --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Influence. --- E-books --- Voyages to the otherworld in literature. --- Aeneid. --- Augustine. --- Christian. --- Ovid. --- Pagan. --- Romantic. --- Rome. --- Seneca. --- Shelley. --- Statius. --- Vergil. --- Virgil. --- classical literature. --- death. --- literary reception. --- poetry. --- spirituality. --- tradition. --- underworld. --- LITERARY CRITICISM / Ancient & Classical. --- Marone, Publio Virgilio --- Aeneis (Virgil) --- Aeneid (Virgil) --- Eneida (Virgil) --- Enéide (Virgil)
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