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Jananne al Ani; Francis Alys; Uri Ancarani; Oreet Ashery; Ed Atkins; Judith Barry; Gretchen Bender; Dara Birnbaum; Black Audio Film Collective; Brad Butler; Olga Chernysheva; James coleman; Minerva; Cuevas; Stan Douglas; Olafur Eliasson; VALIE EXPORT; Harun Farocki; Omer Fast; Morgan Fisher; Hollis Frampton; Melanie Gilligan; Joana Hadjithomas; Gary Hill; Susan Hiller; William Kentridge; Anja Kirchner; Steve McQueen; Jumana Manna; Karen Mirza; Rabih Mroué; Otolith Group; Nam June Paik; Luther Price; Yvonne Rainer; R.V.Ramani; Pipilotti Rist; Ben Rivers; Tyan Trecartin; Trinh T. Minh-Ha; Bill Viola

Motion in art --- Technology and the arts --- Arts and globalization --- Space (Art) --- Motion in art. --- Technology and the arts. --- Arts and globalization. --- 778.5.01 --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Beeldende kunst en bewegend beeld --- Videokunst ; video-installaties --- Beeldende kunst en nieuwe media --- Kunst en technologie --- Kunst en beweging --- Kunst en globalisering --- Experimentele film --- Body Art --- Site specific art --- Space (Art). --- Mouvement --- Technologie et arts --- Art et mondialisation --- Art vidéo --- Dans l'art --- performance art --- installations [visual works] --- art theory --- new media art --- site-specific works --- body arts [discipline] --- moving images --- video art --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Black Audio Film Collective --- Viola Bill --- Trinh T. Minh-ha --- Trecartin Ryan --- Rivers Ben --- Rist Pipilotti --- Ramani R.V --- Rainer Yvonne --- Price Luther --- Paik Nam June --- Otolith group --- Mroué Rabih --- Mirza Karen --- Manna Jumana --- McQueen Steve --- Kirschner Anja --- Kentridge William --- Hiller Susan --- Hill Gary --- Hadjithomas Joana --- Gilligan Melanie --- Frampton Hollis --- Fisher Morgan --- Fast Omer --- Farocki Harun --- VALIE EXPORT --- Eliasson Olafur --- Douglas Stan --- Cuevas Minerva --- Coleman James --- Chernysheva Olga --- Butler Brad --- 791.43 --- 7.038/039 --- 791.41 --- 7.01 --- kunsttheorie --- filmtheorie --- Birnbaum Dara --- Bender Gretchen --- Barry judith --- Atkins Ed --- Ashery Oreet --- Ancarani Yuri --- Alÿs Francis --- al-Ani Jananne --- performances --- lichamelijkheid --- body art --- video-installaties --- installaties --- kunst en film --- kunst --- film --- Kunst --- installaties [kunstwerken] --- videokunst [kunstwerken] --- performances [live] --- plaatsspecifieke werken --- bewegende beelden --- lichaamskunst --- nieuwe mediakunst --- Technologie et arts. --- Art et mondialisation. --- Art vidéo. --- Dans l'art.

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The way we see the world has changed drastically since NASA released the 'blue marble' image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Berger's Ways of Seeing and Alvin Tofflers Future Shock, this book - part memoir, part critical analysis - should prove essential for anyone interested in the changing world of the internet.

art criticism --- new media art --- Art --- Internet --- digital art [visual works] --- computer art [visual works] --- Kholeif, Omar --- Art and the Internet --- Art, Modern --- kunst --- kunst en politiek --- 7.01 --- 7.039 --- internet --- nieuwe media --- kunst en wetenschap --- kunst en technologie --- kunsttheorie --- Internet and art --- Social aspects

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A leading figure in the world of networked culture explores the artists and events that defined the mass medium of our timeSince 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital.The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.Specifications:

Computer art --- NFTs (Tokens) --- kunst --- internetkunst --- internet --- nieuwe media --- computerkunst --- eenentwintigste eeuw --- twintigste eeuw --- digitale kunst --- digitale cultuur --- kunst en technologie --- cybercultuur --- 7.039 --- 791.5 --- Non-fungible tokens --- Nonfungible tokens --- Tokens --- Art, Computer --- Computer craft --- Digital art --- New media art --- History --- Internet --- Digitale kunst --- Digitale ontwikkeling --- ART / Criticism & Theory. --- ART / Digital. --- ART / History / Contemporary (1945-). --- Art and computers. --- Art and society. --- Art and the Internet. --- Art et Internet. --- Art et ordinateurs. --- Art et société. --- Computer art. --- NFTs (Tokens). --- Art numérique --- Net art --- Culture numérique --- Jetons non fongibles --- Histoire. --- History. --- Art --- cyberspace --- World Wide Web --- digital art [visual works] --- net art --- non-fungible tokens

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Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.

Art and technology --- Art and society --- Art and the Internet --- Information technology --- Art and technology --- Art and technology --- Social aspects

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For nearly two decades, Polish-born, UK-based artist Magda Stawarska has explored the threshold of memory, the sanctioned shape of history, and the active experience of listening. Through sound and performance, moving image, photography, painting, and printmaking, the artist unfolds overlooked and contested narratives of the past through her practice of inner listening. Stawarska's distinct approach to artmaking often begins with explorations of cities. Traversing self-directed routes, the artist has often been compared to a flaneur--moving through each site, cultivating a rhythmic score that reveals a densely layered urban topography. These situated scenes become the basis for a distinct form of language--one of conjured imaginaries. The artist and her carefully chosen collaborators unbuckle the seams of the aural landscape, using personal reflection and language, which the artist uses to create installations that constellate active feelings. These processes evolve, layer upon layer, in the studio and in the public realm, illuminating a palimpsest of dissonance: A discordant score that pierces the very concept of time. In this book, author and curator Omar Kholeif, offers an introductory field guide into the artist's practice. Structured as a travelogue through Stawarska's various journeys, readers will venture from the streets of Istanbul to the canal sides of Venice to the waters of Zanzibar. The second volume in the Imagine Otherwise series, Kholeif argues that in Magda Stawarska's art, one can find the specificity and detail of the ocular in the field and tempo of listening. Concluded with an afterword by Turner-Prize winning artist, Lubaina Himid CBE RA. Published by Sternberg Press in collaboration with artPost21.

Sound in art --- Women artists --- Stawarska, Magda.