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Inscripties [Chinese ] --- Inscriptions [Chinese ] --- Inscriptions chinoises --- Opschriften [Chinese ] --- S17/0801 --- S15/0307 --- Inscriptions, Chinese --- Stele (Archaeology) --- -Stela (Archaeology) --- Stelae (Archaeology) --- Stelai (Archaeology) --- Steles (Archaeology) --- Archaeology --- Menhirs --- Chinese inscriptions --- China: Art and archaeology--Steles and rubbings --- China: Language--Stone inscriptions: general (incl. metal and stone inscriptions: 金石) --- Qin shi huang Emperor of China --- China --- History --- -S17/0801 --- -China: Art and archaeology--Steles and rubbings --- -Inscripties [Chinese ] --- -Inscriptions, Chinese --- Stela (Archaeology) --- Qin shi huang, --- Chʻin Shih-huang, --- Chʻin Shih-huang-ti, --- Chin Si Hwang, --- Qin, --- Qin shi huang di, --- Qin shi huangdi, --- Qin Shihuang, --- Shi Huangdi, --- Shi Kōtei, --- Shih Huang-ti, --- Shin no Shiko, --- Si Hwangje, --- Tần, Thủy Hoàng, --- Doanh Chính, --- Tsin Shih Huang-ti, --- Ying, Cheng, --- Ying Cheng, --- Ying, Zheng, --- Ying Zheng, --- 始皇帝, --- 秦始皇, --- Qin Shihuang --- Qin dynasty, 221-207 B.C. --- Steles --- 秦始皇帝, --- 嬴政, --- Qin Shi Huang --- 秦始皇 --- Qin Shi Huangdi

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In Text and Ritual in Early China, leading scholars of ancient Chinese history, literature, religion, and archaeology consider the presence and use of texts in religious and political ritual. Through balanced attention to both the received literary tradition and the wide range of recently excavated artifacts, manuscripts, and inscriptions, their combined efforts reveal the rich and multilayered interplay of textual composition and ritual performance. Drawn across disciplinary boundaries, the resulting picture illuminates two of the defining features of early Chinese culture and advances new insights into their sumptuous complexity.Beginning with a substantial introduction to the conceptual and thematic issues explored in succeeding chapters, Text and Ritual in Early China is anchored by essays on early Chinese cultural history and ritual display (Michael Nylan) and the nature of its textuality (William G. Boltz). This twofold approach sets the stage for studies of the E Jun Qi metal tallies (Lothar von Falkenhausen), the Gongyang commentary to The Spring and Autumn Annals (Joachim Gentz), the early history of The Book of Odes (Martin Kern), moral remonstration in historiography (David Schaberg), the “Liming” manuscript text unearthed at Mawangdui (Mark Csikszentmihalyi), and Eastern Han commemorative stele inscriptions (K. E. Brashier).The scholarly originality of these essays rests firmly on their authors’ control over ancient sources, newly excavated materials, and modern scholarship across all major Sinological languages. The extensive bibliography is in itself a valuable and reliable reference resource.This important work will be required reading for scholars of Chinese history, language, literature, philosophy, religion, art history, and archaeology.

Religion in literature. --- Chinese classics --- Religion in drama --- Religion in poetry --- Criticism, Textual. --- China --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Religious life and customs --- Chinese classics -- Criticism, Textual.

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Edited by Michael Hunter and Martin Kern and featuring contributions by preeminent scholars of early China, Confucius and the Analects Revisited: New Perspectives on Composition, Dating, and Authorship critically examines the long-standing debates surrounding the history of the Analects , for two millennia considered the most authoritative source of the teachings of Confucius (551–479 BCE). Unlike most previous scholarship, it does not take the traditional view of the Analects ’ origins as given. Instead, it explores the validity and the implications of recent revisionist critiques from historical, philosophical, and literary perspectives, and further draws on recently discovered ancient manuscripts and new technological advances in the Digital Humanities. As such, it opens up new ways for productive engagement with the text. Contributors: Mark Csikszentmihalyi, Paul van Els, Robert Eno, Joachim Gentz, Paul R. Goldin, Michael Hunter, Martin Kern, Esther Klein, John Makeham, Matthias L. Richter.

S12/0363 --- S12/0400 --- China: Philosophy and Classics--Lunyu 論語 Analects --- China: Philosophy and Classics--Kongzi 孔子 Confucius and Confucianism --- Confucius. --- Lun yu (Confucius). --- Confucianism. --- PHILOSOPHY / Eastern.

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"In this volume, leading scholars of early Chinese literature offer new, multi-faceted research on the ancient anthology Lyrics of Chu (Chuci). Through meticulous textual analysis, richly annotated translations, and theoretical reflection, they challenge millennia-old assumptions about China's arch-poet Qu Yuan (ca. 300 BCE), his authorship, and the composition of the lyrics attributed to him, above all the "Li sao" (Encountering Sorrow), ancient China's grandest poem. Thoroughly original insights into the poetics and aesthetics of Chuci poetry reopen these resplendent lyrics to a fresh appraisal of their captivating qualities and their foundational significance for the Chinese literary tradition. Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen"--

Chinese poetry --- History and criticism. --- Qu, Yuan, --- Criticism and interpretation. --- Chu ci (Ancient Chinese poems)