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HIV represents not only an unprecedented pandemic but also a site of civil society innovation. In the midst of devastation, activists in sub-Saharan Africa are progressing from traditional forms of health advocacy to strategies that engage human rights principles, techniques, and language. Employing a comparative case-study approach, Resilience and Contagion considers the efforts of nine local civil society organizations in Ghana, Uganda, South Africa, and Botswana. Kristi Heather Kenyon examines who adopts rights-based discourse and why, arguing that leadership, individual beliefs, and structure all play a critical role in framing advocacy. Beyond changing laws or policies, the most important impact of promoting the rights of people living with HIV, she attests, is that it enables individuals to interact with health services from a position of resilience, strength, and empowerment. This book delves into discourse at the juncture of human rights, social theory, and global health, prompting significant and relevant discussion on advocacy’s evolution in the region of the world hit hardest by the HIV pandemic. Drawing on 145 interviews, extensive participant observation, and fascinating document analysis, Resilience and Contagion foregrounds the voices of civil society actors who have conducted the most vocal, widespread, and innovative health advocacy to date.
AIDS (Disease) --- Human rights --- Basic rights --- Civil rights (International law) --- Rights, Human --- Rights of man --- Human security --- Transitional justice --- Truth commissions --- Law and legislation
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"The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of social reality, but they also take up an attitude to social reality" (2007, 04). So, the work focuses specifically on what African youth produce as popular culture, under what conditions or contexts they produce such work, how they produce those texts, why they produce them, the aesthetic dimensions of these texts as cultural artifacts, and why these textual practices matter as social facts, as interpretive acts, and as cultural symbols of the general cultural activism of young people in a rapidly changing world, a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems"--
Arts and youth --- Popular culture --- Youth --- Mass media and youth --- Social conditions.
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