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Gruppenidentität (Motiv). --- Gruppenidentität . --- Literature, Medieval --- Literature, Medieval. --- Literature. --- Mittelenglisch. --- Nationalbewusstsein (Motiv). --- Nationalbewusstsein . --- Nationalism and literature --- Nationalism and literature. --- Selbst (Motiv). --- Selbst . --- Self. --- Trojanischer Sagenkreis. --- Trojaroman. --- History and criticism. --- Benoît, --- Guido, --- Chaucer, Geoffrey, --- Guido . --- Historia destructionis Troiae. --- Europe. --- Troy (Extinct city) --- Turkey --- In literature.

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Motion pictures, Canadian

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Cognitive linguistics is on its way to becoming a cognitive science, but a number of problems remain. The relationship between cognitive linguistics and the core cognitive sciences (psychology and neurology) must be clarified: cognitive linguists can selectively import models and methods from these disciplines as a foundation for their linguistic theories, they can export their own models to these disciplines for empirical testing and integration, or they can transform linguistics into a core cognitive science in its own right. The latter requires a number of changes to the models and practices of cognitive linguistics: it must refocus on its linguistic heritage, adopt a more scientific outlook, gain a higher degree of methodological awareness and restrict its models to linguistic constructs and hypotheses that can be operationalized and falsified.

Psycholinguistics --- Cognitive science --- Interdisciplinary approach to knowledge --- Cognitive psychology --- Psycholinguistics. --- Cognitive science. --- Interdisciplinary approach to knowledge. --- Knowledge, Theory of --- Methodology --- Science and the humanities --- Science --- Philosophy of mind --- Language, Psychology of --- Language and languages --- Psychology of language --- Speech --- Linguistics --- Psychology --- Thought and thinking --- Psychological aspects

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Perfect Harmony and Melting Strains assembles interdisciplinary essays investigating concepts of harmony during a transitional period, in which the Pythagorean notion of a harmoniously ordered cosmos competed with and was transformed by new theories about sound - and new ways of conceptualizing the world. From the perspectives of philosophy, literary scholarship, and musicology, the contributions consider music's ambivalent position between mathematical abstraction and sensibility, between the metaphysics of harmony and the physics of sound. Essays examine the late medieval and early modern history of ideas concerning the nature of music and cosmic harmony, and trace their transformations in early modern musico-literary discourses. Within this framework, essays further offer original readings of important philosophical, literary, and musicological works. This interdisciplinary volume brings into focus the transformation of a predominant Renaissance worldview and of music's scientific, theological, literary, as well as cultural conceptions and functions in the early modern period, and will be of interest to scholars of the classics, philosophy, musicology, as well as literary and cultural studies.

Harmony --- History

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