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This book, a critical study of the essays and novels of Richard Jefferies, an English writer of the latter part of the nineteenth century, is an attempt to define the nature of Jefferies' contribution to English literature, and to isolate the more important and effective qualities of his work. Although he was not a major figure in English letteres, Jefferies was highly regarded for his essays on nature and the English countryside, studies of rural conditions, and regional novels; his work mirrors the rapid change taking place in agriculture at the time, and is of interest today to social historians and economists. This study begins with a brief biological account, and then proceeds to a discussion of individual works. An important feature is a comprehensive bibliography of Jefferies' books and pamphlets, arranged in order of publication to assist the readers in checking chronology. (Department of English Studies and Texts, No. 13)
Jefferies, Richard, --- Jefferies, John Richard, --- LITERARY CRITICISM --- European --- English, Irish, Scottish, Welsh.
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'There is probably no single quality or characteristic - besides love of the countryside - that must inevitably distinguish a rural writer,' notes W.J. Keith. However, 'what distinguishes rural writing that belongs to literature from that belonging to natural history, agricultural history, etc., is, as Richard E. Haymaker has observed, the writer's "means of revealing Nature as well as describing her"...In the final analysis the rural essayist paints neither landscapes nor self-portraits; instead he communicates the subtle relationship between himself and his environment, offering for our inspection his own attitudes and his own vision. We may be asked to look or to agree, but more than anything else we are invited to share. Ultimately, then, the best rural writing may be said to provide us, in a phrase adapted from Robert Langbaum, with a prose of experience.' Keith argues that non-fiction rural prose should be recognized as a distinct literary tradition that merits serious critical attention. In this book he tests the cogency of thinking in terms of a 'rural tradition,' examines the critical problems inherent in such writing, and traces significant continuities between rural writers. Eleven of the more important and influential writers from the seventeenth century to modern times come under individual scrutiny: Izaak Walton, Gilbert White, William Cobbett, Mary Russell Mitford, George Borrow, Richard Jefferies, George Sturt/'George Bourne', W.H. Hudson, Edward Thomas Williamson, and H.J. Massingham.In examining these writers within the context of the rural tradition, Keith rescues their works from the literary attic where they have too often been relegated as awkward misfits. When studied together, each throws fascinating light on the others and is seen to fit into a loose but nonetheless discernible 'line.'
English prose literature --- Pastoral literature, English --- History and criticism.
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American literature --- Wiebe, Rudy --- Wiebe, Rudy Henry, --- Criticism and interpretation --- Wiebe, Rudy, --- Criticism and interpretation. --- Wiebe (rudy), 1934 --- -American literature --- -Wiebe (rudy), 1934
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Fluid dynamics --- Numerical analysis --- Congresses --- Fluid dynamics - Congresses --- Numerical analysis - Congresses
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Vietnam War, 1961-1975 --- Veterans --- Southeast Asia --- Regions & Countries - Asia & the Middle East --- History & Archaeology --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- Regimental histories --- Interviews. --- United States.
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Morley Calvert's Suite from the Monteregian Hills is cherished by brass players globally and performed hundreds of times annually, making Calvert perhaps the most performed Canadian composer outside the country. And Harmony Abound is a fascinating picture of Calvert's contribution to musical composition, education, and cultural fabric.
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