Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

conservation [discipline] --- perspective [technique] --- Fabritius, Carel --- National Gallery [London]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

restoration [process] --- self-portraits --- Gentileschi, Artemisia

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Leonardo da Vinci’s reputation as an inventor and scientist, and the complexity of his creativity and personality, have sometimes almost overshadowed the importance of his aims and techniques as a painter. Leonardo da Vinci: Painter at the Court Of Milan focuses on a crucial period in the 1480s and '90s when, as a salaried court artist to Duke Ludovico Sforza in the city-state of Milan, freed from the pressures of making a living in the commercially minded Florentine republic, Leonardo produced some of the most celebrated – and influential – work of his career.The Last Supper, his two versions of The Virgin of the Rocks, and the beautiful portrait of Ludovico’s mistress, Cecilia Gallerani (The Lady with an Ermine) were paintings that set a new standard for his Milanese contemporaries. Leonardo’s style was magnified, through collaboration and imitation, to become the visual language of the regime, and by the time of his return to Florence in 1500, his status was utterly transformed.

Art --- court art --- Ludovico Sforza [Duke of Milan] --- Leonardo da Vinci --- Milan

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Artemisia Gentileschi (1593-1654 or later) is the most celebrated woman artist of the baroque period in Italy. Her career spanned more than 40 years, as she moved between Rome, where she was raised and trained by her father, Orazio Gentileschi, to Florence, where she gained artistic independence and became the first female member of the city's academy of artists, and to Venice, London, and Naples. Often featuring heroic female subjects, her paintings were predominantly intended for private clients. Today they are recognized for their dramatic power and originality, showing Artemisia to be one of the most compelling storytellers of her time. This beautiful book includes essays on her life and career; a discussion of her personal and artistic relationship with her father; a summary of critical writings and an overview of the wide range of approaches to Artemisia's work since her rediscovery by feminist art historians more than 50 years ago; a more personal insight into Artemisia through her letters; a discussion of the artist's self-representation in her work; and an essay dedicated to her painting technique. Exhibition: National Gallery, London, UK (04.04.-26.06.2020).

Painting --- Gentileschi, Artemisia --- Gentileschi, Artemisia, --- Gentileschi Lomi, Artemisia, --- Lomi, Artemisia Gentileschi, --- Exhibitions --- 75.07 --- Schilderkunst ; Italië ; Artemisia Gentileschi --- Schilderkunst ; Barok --- Vrouwelijke kunstenaars --- Gentileschi, Artemisia 1593-1654 of later) (°Rome, Italië) --- Schilderkunst ; schilders A-Z --- Women painters --- Painting, Italian --- Portrait painting, Italian --- Biography. --- Family relationships --- Gentileschi, Orazio, --- easel paintings [paintings by form] --- Gentileschi, Artemisia Lomi --- briefwisseling --- Gentileschi, Orazio --- briefwisseling. --- Gentileschi, Artemisia. --- Gentileschi, Orazio. --- Italiaanse school