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Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers.
Fiction --- Psychological study of literature --- 82:159.9 --- Literatuur en psychologie. Literatuur en psychoanalyse --- Empathy in literature. --- Empathy. --- Psychological aspects. --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Empathy --- Empathy in literature --- Attitude (Psychology) --- Caring --- Emotions --- Social psychology --- Sympathy --- Psychological aspects --- Fiction - Psychological aspects --- Roman --- Empathie --- Empathie dans la littérature --- Aspect psychologique
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This study of narrative technique in Victorian novels introduces the concept of 'narrative annexes' whereby unexpected characters, impermissible subjects and plot-changing events are introduced within fictional worlds which otherwise exclude them. They are marked by the crossing of borders into previously unrepresented places and new genres or modes, challenging Victorian cultural and literary norms. Suzanne Keen's original readings of novels by Charlotte Brontë, Dickens, Disraeli, Hardy, Kingsley, Trollope, and Wells show these writers negotiating the boundaries of representation to reveal in narrative annexes the subjects (notably sexuality and social class) which contemporary critics sought to exclude from the realm of the novel. Fears of disease, of working men, of Popery, of dark-skinned 'others', of the poor who toil and starve in close proximity to the rectories, homes, clubs and walled gardens of Victorian polite society draw readers down narrow alleys, through thorny hedges, across desolate heaths, into narrative annexes.
English fiction --- Literature and society --- Mimesis in literature. --- Narration (Rhetoric). --- History and criticism. --- History --- Fiction --- English literature --- anno 1800-1899 --- Arts and Humanities --- Literature --- Narration (Rhetoric) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Representation (Literature) --- Imitation in literature --- Realism in literature
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Romances of the Archive in Contemporary British Fiction is a lively discussion of the debates about the uses of the past contained in British fiction since the Falklands crisis. Drawing on a diverse and original body of work, Suzanne Keen provides a detailed examination of the range of contemporary 'romances of the archive, ' a genre in which British novelists both deal with the loss of Empire and a nostalgia for the past, and react to the postimperial condition of Great Britain. Keen identifies the genre and explains its literary sources from Edmund Spenser to H.P. Lovecraft and John LeCarre. She also accounts for the rise in popularity of the archival romance and provides a context for understanding the British postimperial preoccupation with history and heritage. Avoiding a narrow focus on postmodernist fiction alone, Keen treats archival romances from A.S. Byatt's Booker Prize-winning Possession to the paperback thrillers of popular novelists. Using the work of Peter Ackroyd, Julian Barnes, Lindsay Clarke, Stevie Davies, Peter Dickinson, Alan Hollinghurst, P.D. James, Graham Swift, and others, Keen shows how archival romances insist that there is a truth and that it can be found. By characterizing the researcher who investigates, then learns the joys, costs, and consequences of discovery, Romances of the Archive persistently questions the purposes of historical knowledge and the kind of reading that directs the imagination to conceive the past.
Archives in literature. --- Decolonization in literature. --- English fiction --- Historical fiction, English --- Libraries in literature. --- Literature and history --- Postcolonialism --- Stagecoach robberies. --- History and criticism --- History and criticism. --- History --- Decolonization in literature --- Libraries in literature --- Archives in literature --- Stagecoach robberies --- Robbery --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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"This revised and expanded handbook concisely introduces narrative form to advanced students of fiction and creative writing, with refreshed references and new discussions of cognitive approaches to narrative, nonfiction, and narrative emotions. Beginning with an updated survey of major theorists and approaches, and using clearly defined terms, Narrative Form explains critical vocabulary and offers a variety of strategies for analyzing the formal qualities of narrative. Narrative Form shows how to use the language of formal analysis accurately and innovatively when discussing fictional and nonfictional narratives in a variety of media: stories, novels, films, graphic narratives, and video games"--
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English fiction --- English poetry --- History and criticism --- Theory, etc. --- Hardy, Thomas, --- Knowledge --- Psychology.
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