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"Comparative study in transatlantic Romanticism that traces the links between German idealism, British Romanticism (Wordsworth, Coleridge, Carlyle), and American Transcendentalism. Focuses on Emerson's development and use of the concept of intuitive Reason, which became the intellectual and emotional foundation of American Transcendentalism"--Provided by publisher.

Emerson, Ralph Waldo --- Criticism and interpretation --- Knowledge --- Literature --- American literature --- English influences --- German influences --- Transcendentalism (New England) --- Romanticism --- United States --- Intuition in literature --- Reason in literature --- Intuition in literature. --- Reason in literature. --- New England transcendentalism --- English influences. --- German influences. --- Emerson, Ralph Waldo, --- Imarsana, Rāfa Vālḍō, --- Emerson, R. W. --- Emerson, Waldo, --- Emerson, R. Waldo --- Ėmerson, Ralʹf Uoldo, --- Ai-mo-sheng, --- Emarsan̲, --- אמרסון, רלף ולדו, --- עמערסון, ראלף וואלדא, --- Criticism and interpretation. --- Literature.

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Politics and literature --- Politique et littérature --- History --- Histoire --- Coleridge, Samuel Taylor, --- Coleridge, Samuel Taylor, --- Defoe, Daniel, --- Defoe, Daniel, --- Coleridge, Samuel Taylor, --- Political and social views. --- Influence. --- Pensée politique et sociale

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"Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator"--Provided by publisher.

Belief and doubt in literature. --- Literature and science --- Religion and literature --- Theology in literature. --- History --- Dickinson, Emily, --- Criticism and interpretation. --- Knowledge --- Calvinism. --- Religion.

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Shedding fresh light on the life and work of William Butler Yeats—widely acclaimed as the major English-language poet of the twentieth century—this new study by leading scholar Patrick J. Keane questions established understandings of the Irish poet’s long fascination with the occult: a fixation that repelled literary contemporaries T.S. Eliot and W.H. Auden, but which enhanced Yeats’s vision of life and death. Through close reading of selected poems, the first section of Making the Void Fruitful assesses Yeats’s spiritualised treatment of corporeal themes, exploring sex and eroticism as the expression of a duality inherent to his ontological and supernatural convictions. The power-producing tension in Yeats’s work is not only intellectual but emotional. At its vital centre is his Muse: the beautiful political firebrand, Maud Gonne, whose activist Republican politics he considered his one real rival. Through close engagement with the poems and plays she inspired, the second section explores Yeats’s complex relationship with Maud, an obsessive and unrequited love which he sublimated and transformed into the greatest body of Muse poetry since Petrarch, in whose tradition of spiritualized eroticism Yeats, perhaps the last of the great Romantics, was consciously writing. Shaped by the conviction that no modern poet exceeded Yeats in animating the enduring themes of love and spirituality through poetry, this book emphasises the influence, of Blake, Nietzsche, and John Donne, on what Yeats called ‘the thinking of the body’. Grounded firmly in the textual materiality of Yeats’s oeuvre, this book will be of interest to researchers and students of W.B. Yeats, as well as to those in the fields of Anglophone literatures and cultures, and philosophy.